Keeping the Reader Involved.
You can create tension from many sources. Not just action, car chases,
and shoot-em-ups.
Dialogue and conflict go together. “I know I shouldn’t do this but—” MC
said.
We want to know why the MC pushes on when he/she
knows they shouldn’t.
Conflict.
Pit allies against each other. One has misplaced loyalty. The other argues
against a tactic. They disagree.
Conflict.
Tension comes from within. Emotions. Resistance. Arguments. Difference
of opinion.
Use action to create
tension.
Kick it into high gear. Take narratives from the dinner table to a
battle scene. Show the characters going about their daily life. Punctuate this with a little
internal angst.
Then, EXPLODE into action.
The first chapter (chapter not prologue) of Wheel of Time by Robert Jordan illustrates this concept. One
moment, the MC and his father are fixing a meal. Then a heavy knock at the door
announces an attack. I couldn’t turn the pages fast enough after that.
Show conflict. Include tension on every page. But use a subtle touch.
Let the reader experience the emotion. Don’t tell them. Let you MC convey this.
Example of ‘telling’:
“After receiving the award, Marge was unhappy.”
Example of ‘showing’:
“After receiving the award, Marge stared at the chair in
front of her.”
Involve the reader in the story.
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3 comments:
Thanks for the pointers. Now all I need to do is put them into application as it were.
This is something I will need to work on after my first re-write. Tension is a driver for page turning and I really want to ensure a balance of that through out my WiP.
Any good story will be conflict-driven. Character development is vital, but without conflict, the story is just told and I'd rather watch grass grow.
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