Writing, promotion, tips, and opinion. Pour a cuppa your favorite poison and join in.

Wednesday, December 5, 2012

Search for Knowledge



Today we have one of our very own contributors offering up her first page. This is a sequel and she wants to know whether it pulls the reader in without them feeling too lost? Her goal is to have this book stand alone without having to read the first book to understand what's going on. My comments will be in purple and I hope you will add yours. And thank you Charity!



A month had passed since the mage performed the unbinding spell and put an end to the Draguman threat. In that short time, life on Sendek had changed forever. Fear of the new mage had replaced the gratitude, and it was only a matter of time before the petty arguments turned to something more volatile. That seems like a lot to happen in a short time. And who's the mage in question, I wonder?
"Your Highness, we have to do something before the bar fights turn into a civil war." Landry sat across from his cousin and several other Royalist officers. He looked around the table at the relatively young men. Too many of the older and wiser ones had been lost in the failed military counter-assault against the Draguman.
"Why don't  the mage (mages?) just stop using their magic? They didn't use it before the Draguman threat, so why can't they just return to normal?" One of the new officers looked around the table.
Landry sighed. It was an innocent enough question, but it was an indicator of the lack of understanding in the general public.
"There are a few who would probably prefer to do just that. However, there are many more who've felt a great power. Once you've felt the energy of the planet flowing through your veins it's hard to give up."
Several men stared at Landry, others studied the wood grain in the table. The silence grew heavier by the moment until someone finally spoke the thought running through every head.


"That will make the mage element very dangerous. How do we protect ourselves against something we don't understand?" That's a very good question! And I think you did an excellent job of telling us briefly about something that had happened and presenting the current threat. You can easily fill in more details as you go. I'm also interested in finding out what will happen next between these men and the mages. How will this be resolved?

How about you guys? What do you think?And as of last night I still had a spot open for Friday if anyone is interested.



Tuesday, December 4, 2012

Gretel



Today we have Rachel’s first page (yay!!!), an MG fairy tale retelling of Hansel and Gretel. My comments will be in purple and do please add yours in the comments.
 


I picked the ripe, red apples from the tree I had so carefully tended, hoping it would help us through the upcoming season. My summer had been filled with planning for the winter ahead. Hansel said I was a pessimist, a worrier, but he was wrong. I was a realist.

Hansel was a dreamer. A lot of telling so far - just saying...

Usually I found his can-do attitude annoying, but not that day. The sun shone through the branches as I picked apples and placed them, one by one, in the basket. Soon the leaves would fall, the very air would freeze and snow would cover the forest. But right then it was warm, there were apples to eat, and if my little brother wanted to believe he could fix everything then who was I to tell him he couldn't?

“How many apples are there?” Hansel asked, shading his eyes from the sun as he looked up at me from where he sat in the grass.

“Enough to last us awhile,” I told him.

“Enough to sell some?” I recognized the barely-concealed excitement in his voice. He was scheming.

I laughed. “Who would want to buy our apples? Everyone has apple trees; they don’t need to buy ours.”

“But not everyone can make applesauce like you, Gretel,” he said enthusiastically, his brown eyes twinkling. “You make the best applesauce, everyone thinks so. Maybe you could sell some, enough to buy some wheat, or maybe even a hen.”

So, I didn't find anything wrong with this first page, that is, no problems with tense or grammar or anything like that. But it didn't feel like MG (not that I'm an expert!); the voice felt old and for a first page there isn't much happening, just apple picking. I know when writing YA one has to immediately capture the reader's attention and I would think that this would be even more important when writing MG. I also wonder about the age of the narrator because she (I assume this is Gretel) sounds like a much older sibling. I would suggest giving Gretel more voice appropriate to her age (which was...12? 13?) and since there seems to be some concern about food have this worry come through in her voice. I'd also try to have something happen, something that will make the readers worry about Hansel and Gretel. Maybe the stepmother is overseeing the apple-picking and making sure they don't eat any, or maybe she's watching from the window. Something to add tension to this first scene and make those kids turn the page.    

Of course, I have to add again I am not a big reader of MG so I hope those who do will chime in and make some suggestions to help Rachel with her first page. And a big thanks to Rachel for submitting :) 


Monday, December 3, 2012

Dear Katherine



Fortunately you are all spared my review of Skyfall – for now. Patricia has graciously allowed me to crit the first page of her current WIP, Dear Katherine, a prequel to Legacy of the Eye. My comments will be in purple and I hope you will add yours in the comments.

William opened the door to his office and asked the pregnant woman to come in and take a seat. She seemed no different than the many others he had met throughout the years. She told her story succinctly and he was impressed at how far she had traveled. She was probably one of the very few who had managed to visit every single inhabited planet in their galaxy. (What? Galaxy? Cool.) She gave him no name and presented herself as a nomad. It was clear from her story that she had the misfortune of realizing the Tetracoil Galaxy wasn’t the open-minded place it was expected to be. (This might be more effective if you showed it through dialogue or expression. Then again, this might slow the story down…depends on how important these two people are, I think. If we aren’t going to see this woman again then I’d tell rather than show.) Throughout his years as head of the Academy, William had seen many women arrive in Demia looking for acceptance and a home for the children in their womb. It was part of his job to hear their story and accommodate their requests.
“So what do you expect from Demia?” William asked when she finished her tale.
“Wisdom,” she said emphatically.
This answer took him by surprise.
Her tears started to flow--probably hormonally driven--and William could see she was struggling to keep control. “I have traveled the galaxy and I found many things. I found appetite; I found thirst. I found many beliefs, most of which contradict each other. What I haven’t found was a reason for existence--mine, yours, everyone’s. I’ve been trying to find my true self and everywhere I look I only find who I’m not...” 
But, um, wait. That was it? Darn. Maybe I should’ve said 500 words! I was just starting to get interested. I wanted to hear what else she was going to say.

Excellent beginning. Now, what do you guys think? What could Patricia do to improve this first page?

Sunday, December 2, 2012

crit anyone?

I'm putting this up now in the hopes someone has an interest in getting a page - 250 words more or less - critiqued. Just send it along to unicornbellsubmissions@gmail.com. Let me know if there's something specific you're concerned with.

If I don't get anything then you'll be getting my review of Skyfall: what worked and what didn't, from a writer's standpoint. I'll be honest. I'd rather crit your stuff.

Meanwhile I hope everyone has a spectacular week :)


Thursday, November 29, 2012

It's All About You

Lovely readers, did the first three days of prompts help you get back into writing? I hope so. This is such a busy time of year that it's easy to let those hard earned writing habits slip. And no one would really blame you for that. However, it sure makes January hard.

What is it about the first three months of the year that make them seem SO long? I don't know about you, but it becomes a chore for me to motivate myself to do anything. Curling up in bed and hibernating is so much more appealing. Maybe my animal self is a bear. That would explain a lot.

As we press on through the busy holidays, growing ever closer to the doldrums of winter, what kind of things help you stay motivated? 


Wednesday, November 28, 2012

Writing Prompt #3

Write a 400 word story using all of the following words.

paper clip
sled
raining
ballet
wishes

Tuesday, November 27, 2012

Writing Prompt #2

Close your eyes briefly. Think of an object that's in the room and focus on it. Without opening your eyes, recall as many details as you can about it. After 3 minutes, open your eyes and write about that object without looking at it.

Feel free to share them in the comments if you wish.

Monday, November 26, 2012

Getting Back to Writing

Have you survived the holiday weekend? Did you get any writing done?

I always have such high hopes for writing during Thanksgiving. After a full morning of cooking, an afternoon of eating and a good night's sleep, my family enjoys a couple of days of nothing but TV and movies. In the past this has meant two days of good writing time, however I didn't get it this year.

This means that today finds me struggling to shake off the vestiges of laziness. The kids are back in school, hubby back to work, and it's time for me to sit down and get to work.

How about you? Do you find it hard to find your groove after several days off of writing?

This week I'll provide a writing prompt each day to help us get back into the swing of things. Write about 300 words on the prompt to share in the comments, then put it away and work on your own project for the rest of your writing time.

Today's prompt is as follows:

Write about your favorite holiday memory. Incorporate the sights, sounds, smells, and tastes in the memory.

Friday, November 23, 2012

What Does Work

This week I've been discussing the mess of a chapter three I made of Elswyk's Moon. And it is a mess. A hot mess. A disaster…

Okay, I’ll stop.

I can sit here and belittle my writing. It’s easy to do, especially considering the evidence… Right. I said I was going to stop.

There are two really positive things that came from this, though. First, I recognize the problems. When I first "finished" the novel, I looked for beta readers. The little feedback I got back was not helpful. I knew it wasn't quite right, but I didn't know what else to do. So, I shopped the novel around. I got no response.

Now that I've gotten some more experience, I see what is wrong. And I've learned enough to know what to do to fix the mess.

The second positive thing is that there are some things that do work in the chapter.

I did need to show where Elswyk starts. Her life transforms so completely during the course of the novel. Chapter three shows Elswyk at work. We meet her coworkers. We see what she thinks her life is going to be. And that is all good.

I also needed to introduce the best friend. She plays a vital role, especially in the lead up to the climax.

And the basic plot for chapter three works. Sure, there are whole sections that can be jettisoned. However, the bones that I started with can remain. I just need to fill them out with a little less than was there before.

Chapter three. A mess. But it can be fixed. And that’s a good thing.

Now, on to chapter four…

Thursday, November 22, 2012

Finding the Info Dump

At the end of chapter three of my first novel, Elswyk's Moon, I have my main character and her best (and only) friend having lunch together. The primary reason for the scene is so that the friend can tell Elswyk at length about how much she hates another character who is yet to be introduced.

"Oh, where to begin? He’s condescending. He always seems like he’s laughing at you, unless of course you are a nubile young thing, and then he’s probably flirting with that obnoxious charm of his,” she explained.

And the friend goes on about this. For 782 words.

On the one hand, I do want to introduce this character. He shows up in chapter seven, and he plays a major role in the rest of the story. His relationship to Elswyk's friend becomes very important towards the lead up to the climax.

But, we haven’t met the guy yet. And we will. His relationship to Elswyk's friend is readily apparent the minute he shows up.

The whole section reads like an info dump, probably because it is.

At the time, I thought that it would be better to mention this character early so that his arrival wouldn't come out of nowhere. Now I see the mistake. Sure, I can mention the character’s name. As he’s connected to several of the other characters, his name will naturally come up. My mistake was drawing too much attention to him before his entrance.

This means that entire lunch scene can be cut. That’s no major loss. It was a stupid scene anyway.

How do you subtly introduce a character who will become a major player later in the story?

Wednesday, November 21, 2012

...And Then This Happened

Chapter three of my first novel, Elswyk's Moon, needs help. A lot of help. I made some rather obvious mistakes. (At least, they appear obvious to me now.) The second major mistake I made was to spend way too much time going over the minutiae of Elswyk's typical day.

Elswyk returns to her new home after a long day. She does a little work before getting something to eat and going to bed. She gets up in the morning, and then she goes to work. (She works in a book store.) She deals with customers all morning until her friend comes by to visit. They talk. Then the friend suggests that they go out to lunch. They do. Over lunch, they have a nice, long conversation.

I spent pages on this. I went into detail.

A couple important things do happen in the chapter. I do want to give a sense of what Elswyk's typical day is like. But I can imply a lot of it. I don’t have to go into painstaking detail about everything, such as…

I had a large pile of papers on my desk—about what I’d expected. I didn't look up until I had gotten through the pile. Tomorrow Basalt had meetings and other business matters that would take him out of the building, so I wasn't going to get to spend much time in the back office. An empty desk meant that I wouldn't have to stay here too late tomorrow night catching up on things.

I can cut that entire paragraph and much of the page it appeared on and the story will still make sense. A quick conversation between Basalt and Elswyk when she gets to work (which is already in the chapter) is enough.

Remember how I said the novel was 77,000 words? With chapters like these, I’m going to be down to 50,000 words in next to no time.

Tuesday, November 20, 2012

Show, Don't Tell

I opened chapter three of Elswyk's Moon with my main character talking to the reader. It was an interesting idea, and if I had executed it better, it might have worked. (Just let me lie to myself about this, okay?) However, I committed the biggest fiction-writer sin of all. I did a whole lot of telling. Showing, not so much.

Don’t believe me? Let me give you a small sample:

I had been working for them for about three years, and I was just promoted and moved to the Torindal location. I had been in Torindal for nearly seven days, and so I was still unpacking. I was given an apartment on the third floor of the building—not as transient as the second floor where those who transport the books stay when they’re in town and not as nice as the fifth floor where those who have lived here for generations make their home, but serviceable. It was enough for me, and soon enough I would make it my own.

It goes on like this for a couple pages. Ugh.

It’s early in the story. I do need to establish a base from where the character starts. But I don’t need much of that backstory. In fact, some things will have more impact if I imply them rather than stating them outright.

I can cut all the talking to the reader stuff. The basic plot of the chapter takes place during a normal work day for Elswyk. I can establish that she’s new in one short exchange of dialog, and the rest of it can just go.

Have you ever tried a talking to the reader section? Could you make it work?

Monday, November 19, 2012

A Read Through

Elswyk’s Moon. (I talked about my first novel the last time I was here.)

Once I decided that I was really going to do it, I was really going to go back and rewrite the thing, I knew the first thing I needed to do was to read through the whole thing and see what was there. I pulled up the manuscript and attempted to load it onto my nook… [technical difficulties] …and then I sat back and read through what I had.

Chapter one was okay. It’ll need a polish, but it won’t need any major surgery. Chapter two needs to be cut entirely.

Chapter two started a subplot about a custody dispute. I guess I could make it work, but as I pondered the plot of the novel, I realized that it just wasn't necessary. It doesn't do much more than distract from the central conflict of the story—someone’s trying to kill the king. I can lose that whole story line and not lose anything that I need.

So, going in to chapter three, I felt pretty confident. I can do this. Then I read chapter three.

Oh. My. God-awful.

I was floored. I wondered why I got no nibbles on this manuscript. Now I know. Chapter three is a 3000-word long what not to do.

The thing is, now I see it. Now I see exactly what is wrong with it. And all of those mistakes are fixable.

I thought I’d share what I've learned with you.

Because, as long as we continue to practice and learn, we will get better. And we can improve our writing. Just so long as we try.

How about you? Have you ever gone back to read through an old manuscript only to find that you know exactly how to fix it?

Thursday, November 15, 2012

Writing Quirks

Well. Ok then. New Plan!


I have a different question.

What are your writing quirks?

I don't mean your physical writing quirks. Though, if you are only able to write sitting at your desk dressed in a pink tutu and a football jersey...yah. I wanna know about that.

I'm talking about your typing quirks. Have you noticed any? And now that I'm asking, have you noticed any that are now going to drive you batty?  Bwahahah!

I was innocently typing along in my wip the other day and I noticed I do this thing.

You know how you have a running narrative in your head of what you're trying *desperately* to keep up with with as you're typing...but then sometimes you change your mind. Or sometimes you hit a snag.

In my head I'll have  "With a soft click his face swung open revealing a complex working of gears and springs. Working quickly and with practiced strokes, he pressed a combination of small latches and buttons hidden within his face." ... and then it's like my brain splits in two. I wanted two completely different things to happen. So I hit space. As you would. And stopped. Thinking.

Then when I decided how to continue, I backed up, DELETED the space. Hit space again and continued on. As though that space was suddenly no good! BAD SPACE!

Now that I know I do this, I notice I do it all the time. with commas, with words, but most often with the space that would start the beginning of a new sentence!

So! Do any of you have quirky writing habits?

Or am I all alone?

*sniff*

Wednesday, November 14, 2012

Silence


Yay! An entry!

I was hoping someone would pick this picture. This guy creates amazing works of art by folding and cutting paper. Then taking pictures of it. Beautiful.

Now...Read the story...my comments follow in purple.







Silence
The platform of concentric tiles curved like an orange peel. Black space framed the symmetric magnificence.
Salina sucked in another breath of stale air, the leftovers of her spacesuit’s oxygen supply. Why the manufacturers couldn’t come up with a better air system that didn’t smell so bad was beyond her keen.
Not that it mattered now.
She let the slight momentum carry her, twist her like a leaf from a tree. Odd that. Thinking of trees and blue sky. Of gravity and windy days and Oklahoma on a hot, dusty day in July. A long way from her job as an engineer tech on Meridian.
The theories about terrestrial-type planets orbiting Barnard’s Star were right. A group of three planets, all within the same mass and size of Earth, became the object of much interest. Two planets, Wreath and Zenith, orbited outside the ideal range.
But Meridian; it called to dreamers of other worlds like a Siren. Green and golden, blue water and ice fields at the poles, it filled the cups of every hopeful spacer.
The Corporation’s highest scientists aided by political monies and interests, studied Meridian’s sun, temperamental red dwarf, Barnard’s Star. Calculations and greased palms judged the star safe. In its youth, the star would have burned the surface of its planets into cinders. Now, ancient in a galaxy nearly as old as the universe, the star put out just enough energy to sustain a vibrant planet with warm rays of heat and light.
Colonists ventured to the new planet held in place by a dodgy star.
Salina volunteered, following her heart and allegiance to the Corporation. Turned down by a faceless committee, Salina lost hope of becoming a part of the Meridian group when someone at the Corporation made a special point of asking her to join. Her skills, he said, were in short supply.
Functioning in space, building the way station that bridged the beyond with the planet below, creating the blueprints and technology; all her shining moments. Her biggest hurdles were surmounting the naysayers and suck-ups who barely survived without an imagination.
A proud moment, a fulfillment of her wishes and dreams came with a pin, a blue six-pointed star that proclaimed her promotion as Chief Engineer to the way station, Bideawee. All her ambitions, work, and motivations rewarded at that ceremony.
 But, like static left from the Big Bang, the cosmic radiation that continually bombards the universe, Salina always felt uneasy. Mutterings came from the fringe, the unsophisticated underground of alarmists. Loudest of these agitators was Coxa.
Named for a star in the constellation Leo, he formulated marches, interrupted meetings, and staged protests to gain attention for his theory; that Barnard’s Star was only sleeping.
At first, Coxa spoke reasonably, passionately about his findings that Meridian’s sun was not to be trusted. Internal forces bubbled and would explode, he said. When none took him seriously, Coxa grew strident, anxious. Still no one listened.
“Barnard’s Star is gonna split open and spill its guts,” he said at an attempt to disrupt the launching of another platform. The authorities pinned him to the side of a memorial wall built as a reminder of Earth. His cheek pressed flat against the carved stone, his gaze caught Salina’s like hooks of supplication.
“Please,” he’d said through a broken mouth. “Listen to me.”
But they didn’t and now…
Salina slowly cart wheeled past the white tiles of the station. Her fuel packs were full but she chose not to stop her revolutions. Why bother? And Bideawee? Unfinished? Mentally she shrugged.
She didn’t bother to look behind her at the planet. Mostly black now but spots of orange still sparkled the last time she’d looked. Salina needed no more confirmation.
Coxa was right. Barnard’s Star had one last puff left in its stellar body, a momentous solar flare that sheared the planet’s atmosphere and cooked everything on the surface.
She’d had a ringside seat to the show. Alone, Salina had cruised her one-man vessel to the station that morning, a privilege accorded to her promotion. An inspection, she’d said to her crew. They’d laughed and waved her off, knowing she loved her creation like a newborn child. Communing with her station was one temptation she couldn’t resist.
Behind a heat plate designed to withstand most radiation, alone on her station, Salina had witnessed the destruction of her home.
Gone. And no one but her in orbit.
At that moment, a primordial instinct struck. The human craves belonging and community, for safety or fellowship. People survive being alone but always there is some tie to their species. Or to a living element.
Salina was utterly alone with no connection to anything or anyone. Her eyes wheeled as if looking for some movement, a biological, living, breathing entity.
Foolishness, she said to herself. But panic creeped into her soul despite her stern admonition. In the dark recesses of her mind, the cancer of terror multiplied. Flourished. And overwhelmed.
She breathed harder, felt sickness creep into her throat and mouth.
She screamed and flailed. Mindless without any quality of human left to her, she took big gulps of air to scream again. Over and over.
But only the Silence took note. Dispassionate and uncaring. Unforgiving.

I am keeping it anonymous...but you can reveal yourself if you want. :)  

I love the feel of this piece. How it starts out, not exactly light and fluffy, but Oh Hey! Remember Earth...This is what I loved about it...and everything is going to be ok. And then slowly, you twisted that down into everything  not being ok. Sort of like how the picture twists. 

You can sense that something is a bit off when you start in, but you're not sure what. The movement from the quiet reserved/removed voice...to even explaining how the planet died in a very scientific way. Sets up the end very well.

I did get a bit tripped up in all the names, but I do tend to speed read (a bad habit from years of college) so I simply re-read it..and they came together.

I also felt the end was very believable. If you're the only human left. And you believe the only BEING left. Yah. Panic in the extreme.

Great piece of Flash Fiction! Thanks for the submission! 

Now....What are Your Thoughts? 

Tuesday, November 13, 2012

Motivation

Did I mention the Fabulous Prizes!?

Hmm...

Maybe I have to post a picture of a kitten.

I will Pounce on your FACE if you do not send me Fiction!
There...

That should do it...

Phew. I'm exhausted.

Sunday, November 11, 2012

Flash Me!

So in honor of NaNoWriMo, I'm going to put on a Flash Fiction writing challenge here at Unicorn Bell.

WHAT!? Are you Crazy!? We're writing our Butts off as it is!

Maybe.

But here's my logic.

First of all it's flash fiction. Totally the opposite of what you're (supposedly) doing every day with meeting your daily word count challenges, plotting, thinking, character development...blahblahblah. You know. Writing a NOVEL! In a MONTH! *tweak*

Second of all...I'm going to bet a puppy that a good deal of you have gotten to the point where you're either 1) Slightly burned out. 2) A tad bit Stuck or 3) Just all out Full Blown Writers Block.

The best way to fix that? Change of scenery. Write on a totally different project. For no reason. Except to have Fun! And win Totally Fabulous Prizes! *more on those in a minute*!

So. The Rules are very simple!  There are Three pictures below.

1) Choose a Picture as your Muse.

2) Your Flash Fiction Must be at LEAST 500 words but no more then 1500.

3) That's it!

4) Email your submissions to me at unicornbellsubmissions@gmail.com with Flash Fiction in the subject.

Have them in to me by Wednesday. I will post them and give my critiques.

THEN! Because this is a very simple contest, and I want to keep it fun...Based PURELY on comment count.

Friday! The Top Three will get their choice of prizes.  (So, whoever has the most comments is Grand Prize, second most comments second Place, then third most comments third place.)

Prizes are:  1) $10 Gift Card to Bn or Amazon. Which ever one floats your boat. 2) A first chapter critique by me! and 3) a Soft Cover copy of Tad Williams "Otherland".  (Which I hear people absolutely are amazed with...I wasn't too amazed with myself)

So. Without further ado...Get Writing! Hope to see some submissions!

PICTURES:

Source: google.com via Alicia on Pinterest