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Showing posts with label tension. Show all posts
Showing posts with label tension. Show all posts

Monday, January 8, 2018

Herding Sheep

Misdirection.

Misdirection fascinates me. From books to TV shows to movies and, of course, magic, this is the pinnacle of a good storyline. Keep the audiences guessing. When they gather at the gate like sheep, close the easy exit, and open another.

Before I knew what it was called, my earliest recollection of misdirection was the short story:

The Star by ArthurC. Clarke. A devout man, an astronomer traveling the cosmos, questions his faith when faced with the ancient destruction of a planet.

Distractions started me down one path and when Mr. Clarke’s revelation came in the last sentence, it always leaves me breathless.

Misdirection, when the reader’s attention is focused on one element.

Longmere, a modern-day cowboy/sheriff of a small town. I was slow to catch on to the
existence of this series that premiered in 2012. It became one of my all-time favorites this fall. The storylines juggle between characters and intertwine like a braided rope. Just when I think I know where a plot is going, the story herds me down a different alley like a border collie. Keeps me off centered.

Distraction; when the audience sees a shiny object and misses the palmed coin.




Star Trek, the 2009 reboot. When all is lost and Captain James T. Kirk faces certain death at the hands of Klingon, he utters one, devastating line to his enemy: “I’ve got your gun.”

Twists and masterful shifts keep readers on tippy-toe. Make them believable and know the attainment of the title, Writer.



If they can guess the plot, the writer loses. If the reader gasps, you win.

Actually, everyone wins. 

Wednesday, April 8, 2015

The Basics of Story Telling

There are so many novels being released into the world every day that you might think you're biggest challenge is being unique--finding some way to stand out. That's partly true. You need to find your own voice and take on things that will make those tried and true tropes (say that five times fast!) feel fresh and new.

However, there are certain things every story should have. I'm going to share them with you by linking to some of my favorite posts about them.

The 5 Essential Story Ingredients--Totally different from what I'm listing below. Great post though on how to help keep your reader engaged in the story.

A complete structure (plot)--you know, a beginning, middle and end and all the stuff that keeps the story moving? This link takes you to another page with links. Links to a powerpoint, a youtube presentation, etc. Definitely worth your time! Especially if you're a visual audio learner. :)
How to Build a Story

Characters. These characters don't have to be human. They can be animals or even a planet. I read one book where the people didn't make any sense to me and kept getting in the way of the real star of the show--the world.
7 Common character types
How to Craft Compelling Characters
How to Create a Character Profile

Setting that pulls you in and helps you understand the world and how the characters relate to it.
The Basic Elements of Setting in a Story
How to Employ All 5 Senses in Creating Your Setting
Writing Dynamic Settings

Suspense and Tension. Yeah, it's not just for mysteries or FBI thrillers.
25-things-you-should-know-about-suspense-and-tension
6 Secrets to Creating and Sustaining Suspense
41 Ways to Create and Heighten Suspense  There is so much good info in here!

Conflict--yes, this is different from suspense and tension. They are closely related, but different.
The Secret to Creating Conflict
External Conflict Vs. Internal Conflict
7 Types of Narrative Conflict--just in case you've forgotten.

What have I missed?


Tuesday, January 21, 2014

Tension, Some People Got It


For the rest of the week, I'll be providing romantic inspiration in the form of some of my favorites. Thanks to YouTube for providing the clips!

To find the linky with all the blog participants, click HERE.

Those who follow my blog have learned that although I like to complain about the writers getting silly on the TV show Bones, I still love it. I watch because it's got two gorgeous people in it with great romantic tension.

Come on, David Boreanaz? Emily Deschanel?

Monday, August 19, 2013

Critting OPERATION DAFFODIL: needs focus

It's my week to host here at Unicorn Bell, so you know what that means: long form crits! Send me up to 1,500 words of anything and I will throw red ink at it. Email unicornbellsubmissions at gmail dot com! 

So far, I have one submission from a YA scifi called OPERATION DAFFODIL:

“The number one rule on the theater of operations,” said the Viper to Tag on his first day in the Holding Hall, “is to avoid getting shot in the torso. Here, here, and here.” He tapped three critical areas on Tag’s netskin suit. “Your job isn’t to show how high-thinking you are. You, boy, are to keep your head firmly on your shoulders and not anywhere else.”

“Yes, sir.”

“I am the brain, You and everyone else, even the General of the Army, are my hands. Listen to my words, and you will not go OoC easily.”

And so Tag had, and in his three years serving in VirtuWar, he’d only been out-of-commission once. Such was the nature of the Viper’s advice. The incident that took Tag out hadn’t even involved a connection to one of the three points. Instead, an Asiatic grenade had blasted a boulder at the base, leaving the other half to land on Tag. He had vaporized almost instantaneously, dumped right back in the Holding Hall in his netskin with the Neuroreader hooked to his head displaying his homeostatic functions on the screen. >>Unclear. Blasting a boulder at the base would result in a pile of rubble, I'd expect.

HEART-RATE: 155 bmp.

“The ugliest OoC since VirtuWar’s invention,” fellow private Cavalier told him when the others returned to the Holding. “Can you imagine how you might have looked pre-V? Flat like a pancake, I suppose.”

Vree was unzipping his netskin. He shook free his wavy hair as he lifted the Neuroreader.  “A lightyear off, Cav. He’d be a splatter of guts and slivers of bone. Pulverized. A stain in the ground.”

None of them could begin to wrap their heads around the idea of a human being reduced to stain in the ground.

It could be possible, thought Tag, unzipping himself and signing out of the system. There was no cap to the gruesome pre-V. It could be possible.

“Enjoy the time, Tag,” his friend Ran had said, punching him lightly on the shoulder.  “We’ll miss you for four months.” >>why's he going to be away for four months?

“Who’s going to watch your back?”

Ran shrugged as if it hadn’t crossed his mind yet. “Cavalier, maybe.”

Tag didn’t mention that Cavalier was no scout. Cavalier was as slick as gunmen came, but he was no back-watcher.

That had been something, going OoC over some fallen boulder. Certainly not something he wanted to repeat.

The Viper had more or less the same thought. Just as Tag was about to step into the rewinder that would erase the last few hours of fighting Asiatic soldiers and deposit him back home, the masked strategist stopped him. >>why would they erase his memory? that makes no sense.

“If I give you A+B=C, boy, then you must learn how to derive A+C.” >>What does this have to do with getting crushed by a boulder? or with Cavalier?

“I’m sorry, sir.”

The painted slits stared at him long and hard. “Go,” the Viper said at last. He pushed the boy into the rewinder tube. “Return a little wiser.”

That had been a year ago. A lot could happen in a year when a war could be won in six months and three thousand people could die in a week. >>if this is a virtual war, why is anybody dying?

Now, Tag crept forward, staying low to the ground. The sun was beaming down on the parched, cracked earth, baking it to a yellow dust that covered the front of his netskin like sulfur. Sweat tickled the nape of his neck, but he dared not to scratch. The Asiatics were like cats. They picked up anything and everything.

In the distance, shots sounded as softly as popping a soda tab.

Tag waited for the shooting to stop. Then he tapped into the Umbilical embedded in his ear.

Status, Cav?

He had barely finished the thought when Cavalier replied.

Clear.

Everyone in the pod heard the word. They waited for the green from their co-commanders.

Green? Tag thought to Forbes.

Green, agreed Forbes

Tag tapped into the entire pod. Now.

With the hardest part of the job done by Cavalier’s crew, all Tag’s division had to do was crawl to the top of the hill. Within minutes, Tag heard the rain of Forbes’ fire from the west rim of the valley. By the time his soldiers reached the north rim, all that was needed of them was to neutralize the twenty Asiatic soldiers that remained from a company of fifty-five.

Easy. The elevation made it impossible for the Asiatics to aim as accurately as Tag knew they were capable of.

Lingo, a decent marksman but far from Cavalier’s level, took down the last one, completing the operation in 5 minutes and 1.19 seconds.

After he’d punched the status and outcome of the mission into his wrist band and sent the results back to HQ, Tag approached Digweed, the only one who had suffered a contact point. “You okay?” he asked, sizing up the flashing red nick on the tip of the boy’s ear.

The thick-set boy lifted his visor and spat into the dust. “Yeah.”

“How much horse-power did you lose?”

“5 HP.” He spat again. “Like missing a chunk of ear would slow me down.”

“You’ll regenerate by the next assignment.”

Forbes came over, cradling his visor under his arm. His white blonde hair was sticking up all funny.

He clapped Digweed on the shoulder. “Tag’s right. 5 HP is nothing.”

The rest of the pod, including Cavalier’s soldiers, had received Tag’s notification of END MISSION and were streaming in all along the rim. They had heard Forbes. Forbes had a great voice—strong, confident, and reassuring. Tag’s voice was just normal in on the other side, which meant it translated just normal in the system. >>so did they come because of the notification, or because of Forbes saying 5HP is nothing? 

“So what’s on the roll tonight?” asked Forbes when all the boys had convened.

Technically, they were supposed report right back to the Holding Hall, but neither Forbes nor Tag enforced that much, and the others appreciated the short breath of downtime before being hurtled back into the dull mundaneness of reality.

Cavalier moaned. “Don’t remind me. I have study for molecular bio. Did you know I hate—”

“You hate molecular bio as much as you hate girls that give confusing signals,” Vree finished for him dryly. “Sucks for you, Cav. I’ve got myself a date.”

“What’s she like?” Everyone wanted to know. >>LOL. These are boys, right? They want to know if she's hot, not what she's like.

“Witty, sweet, funny.”

“You’re just describing every semi-decent girl in the universe,” grumbled Cavalier. He to Tag. “What about you?” >>Needs a verb.

“Yeah, what about you, Tag?”

He shrugged. “The usual. School. My sister’s school play is tonight.”

That piped Cavalier’s interest. “Is she hot?” >>there you go. "Piped" is the wrong word... piqued?

Tag felt himself choke.

“Man, Cav,” said Ran, shaking his head. “His sister’s ten.”

“Oh.”

“Well,” said Forbes, placing his visor back over his head. His blue eyes were crinkled beneath the clear glass. “We should sign out now.” >>These (young, high-adrenaline) guys were killing time in virtual reality, where anything's possible, and all they did was chat a bit? Seems unlikely to me.

“Nice, clean work on the missions today,” added Tag.

The two commanders waited until everyone but themselves and their back-watchers—Vree for Forbes and Ran for Tag—had evaporated to nothing in the air.

As Forbes whistled while readying his sign-out, a glint amid the dust of the valley below caught Tag’s eye.

Strange. “I’ll be out in a minute,” he said slowly.

With a wink, Forbes saluted Tag just as his sign-out passed the system. Both he and Vree broke into tiny particles, as the others had, leaving Ran and Tag on the rim.

“What is it?” Ran asked as he approached Tag’s side.

Without words to explain it, Tag felt uneasy. He knew that Ran felt it, too, from the way his friend pulled out his katana from his Inventory. Ran almost hadn’t made the cut for the 61st Battalion because of the sword. It was a wicked looking thing—three feet of curved steel, black from generations upon generations of use—and Randal Juubei had insisted on carrying it with him into the system. It took a month just for the Council to clear it, and another to program it into the database so that its lacerations translated into loss of HP. >>"lacerations" are the wounds it leaves, not what it does. Also, if they honestly felt uneasy why didn't they call for backup? They're part of a military team, not loners. 

Now, Ran swiped his katana through the air, following Tag without further question—because something was off, they could feel it—climbing, skidding, grappling down the sides of the valley. To Tag’s dismay, they kicked up a lot of dust, but as soon as the dust settled the glint became all the more clear. >>Does Ran really want to be holding a drawn katana if it's that tricky to climb down the valley?

When his wristband said that they were 14.21 meters away from the object, Tag saw it for what it was; an Outdated. The tip of an M-16. >>how does one spot the camouflaged end of a muzzle from 45 feet away?

All across the battalions, the Asiatics were well-known for their camouflage skills. “Small tricks,” the Viper had told Tag dismissively, and yet it was these small tricks that made them near equals to the United Provinstate soldiers on the theater of operations. It was these small tricks that made it possible for the Asiat to leap up like a sting-ray from the sea-bed that very moment. Caked, yellow dust fell off his netskin in pieces. It rimmed his eyes and mouth in gold.

Ran was fast to leap in front of Tag, but the Asiat was faster to press the trigger.

Being a world-builder, that's what I will jump on first: what you're showing me doesn't add up. If this is a virtual war, so what if a boulder falls on you? Reboot and hop back in. It also seems like a really pointless way to fight a war, unless what you're fighting over is itself virtual. So a big question already is: why are we doing this?

And if Tag, Ran, etc., are in no actual danger, why should the reader be worried about whether they succeed or not? For that matter, what are they doing? Training? Playing a MMORP? Fighting WWIII?

Second thing I'll jump on is character: I haven't really met Tag yet, by the end of this, partly because you throw a lot of names out there and partly because he's not doing anything distinctive. The narrative voice is generic and bland, too, so Tag is coming across as a non-specific guy. Which is not particularly interesting, I'm afraid.

I get the feeling this is the first chunk of your novel? Tell me right off what's at stake, why it's vitally important, and what the cost of failure is. I need to know why I want Tag to succeed. You don't have to explain the entire universe -- it can be as simple as: we need to secure this position or the main servers will go down and if I get shot I'll be laid up with a head-splitting migraine for weeks. And I'm worried that mom's boyfriend is cheating on her. Or something.

Tuesday, July 24, 2012

Plotting the way down the mountain

Other Plot Points
Photo courtesy of sxc.hu
This is the tricky part. This is where you plot the course down the mountain -- if we say that the climax is a mountain peak -- in such a way that climbing up the mountain will be difficult and interesting. And logical.

Going into this, it helps to know some things. Chances are good that the list will change as you plot.
  • Players: how many characters have a stake in the climax, and why.
  • Conflicts: what puts them in conflict with other characters, why, and what would be a "win" for them.
  • Circumstances: the role that the setting plays in the plot -- limitations imposed by place and time. Be careful with these, because the writer's hand can become too obvious if circumstances and/or coincidence dictate too much of the plot.
Track collision courses
Your climax is the final collision of two or more characters who are at cross purposes. There will have been previous collisions, in which what needs to be done became clear, and/or things were done to prepare for the climax despite the set-backs the characters have received. No final solutions were reached, though, and the tension increased.

Build tension
The Other Plot Points need to track a course of increasing tension. The stakes are getting higher, the consequences are getting worse, the characters have less to work with, or they have more to worry about. Don't blot out all hope, though. Maybe things get very dark before the characters put together the clues you gave them and figure out how to defeat their enemy, but don't paint your heroes into a corner that you'll have to rescue them from with some sort of deus ex machina.

Would five minutes of talking solve everything? 
Or: is this a real and serious conflict? If you find your plot relying on interruptions and coincidences to maintain tension, you might not have a serious conflict. If you find that your characters actually agree and you're trying to keep them from realizing that, you've got a problem. (I found myself in that situation, while working on these posts. So I took my plot sketch out back and shot it. Started over with the characters disagreeing, and why.)

Foreshadowing, patterns, etc.
There are tons of other things you can do in your plot lines: hint at what's to come, set patterns and then mess around with them, throw curve balls (which you planned, of course) to keep the characters on their toes, crush their hopes and dreams repeatedly, and plenty more. They all need to build toward the climax, though.