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Showing posts with label critiques. Show all posts
Showing posts with label critiques. Show all posts

Monday, June 6, 2016

Dear Beta Readers and Critique Partners


Dear Beta Readers and Critique Partners,

Writers need constructive criticism to perfect their manuscripts, but just because “criticism” is in that phrase doesn’t mean you have the right to be nasty. “Constructive” is the keyword there. To be constructive is to be helpful and being rude is never helpful.

Etiquette for Beta Reading and Critiquing:

      -       Before you begin reading someone else’s work, keep an open mind from beginning to end. The story may start off boring but could become amazing.

      -       As you beta read or critique, it is perfectly fine to fix any errors you see with grammar or punctuation (with Track Changes). This is extremely helpful to the writer. Even switching some words around in sentences to help the flow is fine. Just restrain yourself from doing so much that you’re editing their work.

      -       If you find repetitiveness (repeated phrases or ideas) or redundancies (sentences that don’t need to be said), point them out to the writer and suggest cutting them.

     -       Don’t just shine a light on the bad, though. If you read a metaphor that tickles your fancy or a sentence that strikes you with awe, let them know. Did a part make you laugh-out-loud? Highlighting it and leaving a simple comment like “Hilarious!” can really lift a writer’s spirits.

What if you find big problems?

      -       Don’t leave a scathing remark about how awful a scene is or how dumb the characters are. Instead, say you didn’t really care for the highlighted scene then explain why. Perhaps the characters’ actions weren’t believable, the scene wasn’t realistic, or something confused you. Then offer a suggestion or two for how the scene could be fixed if the writer chooses to do so.

Many people create a separate document of notes about the story or paste their notes into an email when they return the manuscript. There is also a way to go about doing this.

      -       Highlight the things you loved about the story, even if there wasn’t much. Tell the writer which characters you loved and scenes you enjoyed. Is the writing vivid? Does the writer have a knack for action scenes? Let the writer know all of this to boost their confidence.

      -       After you talk about the good, mention the not-so-good…the things you feel could be worked on. Tell them which scenes or characters could use some help, and include a sentence or two for why you feel this way. If there are plot holes, point them out and offer a suggestion for how the writer could possibly fix it. Try to be helpful no matter what; that is your job.

      -       Whatever you do, DO NOT write huge paragraphs bashing their writing, characters, or scenes. This is bad taste. And it doesn’t help the writer at all.


Below are real beta reader comments and what should’ve been said instead.

Beta Reader Comment #1: Oh, there are one or two one-liners in her first person POV, but not even those mentally spoken words show any real emotion. So it all just comes across as an author trying so hard to make the heroine the star that she's willing to make the men look weak and incompetent.

What Should’ve Been Said: Work on adding more deep POV and emotion into your main character here. And try to divide some of the heroism among the other characters in this scene.

Beta Reader Comment #2: You also put a couple of scenes in this book that were either unbelievable or ***** acted so contrary to anything a normal person would do that I just couldn't buy into the fantasy. 

What Should’ve Been Said: I pointed out a few scenes that need some work. I think your character’s actions need to be more believable. What would you do if you were in his/her shoes?

Beta Reader Comment #3: Single lines of deep, 1st person POV monologues work very well when used sparingly, but in my opinion, you've over used them in this manuscript and at times, it comes across as a short cut so you can avoid writing something more personal and descriptive.

What Should’ve Been Said: I found spots that could use more emotion and physical
responses so readers can connect personally with your characters.


There comes a point when “constructive” criticism becomes bullying. So remember, it’s important to be considerate during every phase of critiquing. From the first correspondence to the last.




Author of Hurricane Crimes, Seismic Crimes, 30 Seconds, Ghost of Death, and Witch of Death. Blogger. Reader. Auntie. Vegetarian. Cat Lover.

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QUESTION: Have you had a beta reader/critique partner say something harsh about one of your books? All of those comments above are from one of mine...who also said she wouldn't care if my heroine died.


Friday, March 25, 2016

Dear Mad Writer


Dear Mad Writer,

This week I’ve talked about how working with beta readers, submitting to agents, and getting reviews can cause writers to be lazy or scared. Well, this can also breed anger. We’ve all heard about authors getting into fights with reviewers and publicly displaying it for others to see. Every time this has happened, the author has received a lot of backlash. Don’t make their mistake.

Anger #1 – Mean Critiques

Receiving a rude critique can bring shock, hurt feelings, tears and anger. When you reach anger, remember to bite your tongue. No matter how much you want to snap back, DON’T! You’ll only paint yourself as a childish, thin-skinned yuppie. Or worse.

I remember when a beta reader called one of my heroines a “psychotic narcissistic bitch.” And she didn’t stop there. She also called her rude, self-absorbed, and a menace. I was stunned speechless. When I did reply back I said, “Ouch. No one’s said that about her before.” And that’s all I said about that.

Even if what a beta reader says stings, don’t get defensive. Thank him/her for their suggestions even if you don’t mean it, and scratch their name off your future beta readers list. You won’t ever have to use him/her again.

Anger #2 – Rejection

If you shouldn’t send a nasty reply to beta readers or critique partners then you definitely don’t do it to agents. No matter how much you hoped a particular agent would want your book, don’t reply back to say they made a mistake and would regret it. As a matter of fact, they’ll probably be glad they didn’t offer you a contract after that display. Who would want to work with an unprofessional writer?

Don’t even reply back to say, “Thanks anyway” or “Thanks for your time.” You should’ve said that at the end of your query letter. Agents are busy. Unless you’re a signed client, don’t email them after a rejection. Just let it go.

Anger #3 – Bad Reviews

Many of us have received, or at least seen, awful reviews that probably made us want to address each cruel comment. Now more than ever is the time to stay silent, because if you attack a reviewer their army will come out in force against you. They’ll paint you as a distasteful author not worthy of readers, and you will lose readers. I’ve seen it happen.

If you ignore the bad reviews, your loyal readers will come out in force instead and back up your writing/story. Anything they have to say will carry more weight than if you tried to defend yourself.

RELEASE YOUR ANGER!


QUESTION: As a writer, what makes you angry? How do you handle it?






Author of Hurricane Crimes, 30 Seconds, Ghost of Death, and Witch of Death. Blogger. Reader. Auntie. Vegetarian. Cat Lover.

Monday, May 18, 2015

Need a Query/Blurb, Synopsis or First Chapter Critique?

Hi all! Misha here. It's been a while since I've done this, since I've had a crazy few months lately. But hey, things are better and I'm slowly getting back on track.

So this week, I'm willing to critique queries/blurbs, synopses and/or first chapters. If you feel like something's just not right, you're welcome to send me all three and I'll see what I can find.

Also, you're welcome to ask me not to post any of the specific critiques on the blog (although I'd like to share some if possible.) I'll then just write a post about something related to the critique without pointing out something specific.

I'll be doing up to one post a day, and will be working on a first come first serve basis.

Just note that my style is no-holds barred bare-boned honesty. I do try not to be nasty, but if you're expecting pure praise, I'm not the lady to help you.

Okay. Game?

Send me a mail at mishagericke(AT)gmail(DOT)com with Unicorn Bell as the subject.

Have a great day!

Tuesday, May 6, 2014

Tale of Two Queries

First up is Ms. A. Nonymous. Now you might remember her from the last query she sent in. Have to say, it's nice to have a fan. ;-)

This time, she sent me two queries for the same story, an old version and a newer version, asking me which query I preferred. Here they are for your reading pleasure. And please do feel free to chime in on your favorite.

Original Query


After the tragic death of her husband, Giselle Roberts is certain she will be single forever. Barely staying afloat caring for the needs of her five small children, romance is the furthest thing from her mind. But a chance meeting of a handsome stranger, leaves her wondering if she’s ready to open her heart again.

Declan Worthington is charismatic, wealthy, and British, hence the sexy accent that drives Giselle to the brink of blissful surrender. He’s also great with her kids, who quickly grow to adore him. All except for Giselle’s oldest son Cohen who thinks another man in the house is one too many.

As Declan weaves his way into her heart and life, Giselle begins to dream about a new future, one that involves romance and passion. Never once does it cross her mind to not trust the man who has brought happiness back to her family.

Upon the discovery of Declan’s shadowy past, Giselle’s perfect image of him crumbles, along with her chance for second love. Will fate find a way to bring Declan back into her life and soften Giselle’s heart?



New Query


Giselle Roberts never dreamed she’d be a single mother raising four children on her own, but fate had other plans.

Romance is the furthest thing from this young mother’s mind as she sits at a restaurant bar in the romantic Queen City a year after her husband’s death. But a chance meeting of a handsome stranger who knows more about her than he lets on, leaves her wondering if she’s ready to open her heart again.

Declan Worthington is as charismatic as he is wealthy. Add to that his intriguing British accent, strong physique, and keen interest in Giselle and her children, and he appears to be the perfect package. He’s also great with her kids, who quickly grow to adore him. All except for Giselle’s oldest son Cohen who thinks another man in the house is one too many.

As Declan weaves his way into her heart and life, Giselle begins to dream about a new future, one that involves romance and passion. She realizes she’s been given a second chance. A second chance to love. A second chance to live.

Never once does it cross her mind to not trust the man who has brought happiness back to her family.

It takes a worn newspaper clipping to find out the truth about Declan’s shadowy past. Giselle’s perfect image of him crumbles, along with her chance for second love. When fate finds a way to bring Declan back into her life, it will take a lost child, a mother’s hope, and a message of forgiveness for Giselle to decide in the end if love is worth it.


My opinion? Well. Honestly, both are really good, so either could do as the query of choice. However, personal tastes dictate that the first half of the new query was just a bit wordy. See... the agent wants to get to the meat of the matter within seconds, and after we meet the MC(s), the conflict and stakes is the thing the romance query is about. But... as I said... it's just me. Anyway, I proposed a third version combining the two, and then I still had a few suggestions to make:


After the tragic death of her husband, Giselle Roberts is certain she will be single forever. Barely staying afloat caring for the needs of her five four small children, romance is the furthest thing from her mind. But a chance meeting of a handsome stranger, leaves her wondering if she’s ready to open her heart again.

Declan Worthington is charismatic, wealthy, and British, hence the with a sexy accent that drives Giselle to the brink of blissful surrender. He’s also great with her kids, who quickly grow to adore him. [All except for Giselle’s oldest son Cohen who thinks another man in the house is one too many.]<---- Not important for query purposes.

As Declan weaves his way into her heart and life, Giselle begins to dream about a new future, one that involves romance and passion. She realizes she’s been given a second chance. A second chance to love. A second chance to live.

Never once does it cross her mind to not trust the man who has brought happiness back to her family him.

[It takes a worn newspaper clipping to find out]<---- Beware the passive construction. Rather go with: When Giselle discovers the truth about Declan’s shadowy past. Giselle’s perfect image of him , his perfect image crumbles, along with her chance for second love. [When fate finds a way to bring Declan back into her life] <--- Really?! Or did he make the choice to return? Beware making it seem as if the characters are lost in a sea of fate and circumstance, unable to make choices of their own. It creates the impression of weak story-telling. , it will take a [lost child] <--- lost how? , [a mother’s hope, and a message of forgiveness for Giselle to decide in the end if love is worth it.]<---- I like how the sentence ends, but instead of a laundry list, I think the query is strengthened by more detail. So that the reader gets why Giselle would want to give him another chance. 

Okay. So I had a lot of suggestions. But cleaned up, my idea of this query as awesome looks a bit more like this: 

After the tragic death of her husband, Giselle Roberts is certain she will be single forever. Barely staying afloat caring for the needs of her four small children, romance is the furthest thing from her mind. But a chance meeting of a handsome stranger, leaves her wondering if she’s ready to open her heart again.

Declan Worthington is charismatic, wealthy, and British, with a sexy accent that drives Giselle to the brink of blissful surrender. He’s also great with her kids, who quickly grow to adore him. As Declan weaves his way into her heart and life, Giselle begins to dream about a new future, one that involves romance and passion. She realizes she’s been given a second chance. A second chance to love. A second chance to live.

Never once does it cross her mind to not trust him.

When Giselle discovers the truth about Declan’s shadowy past, his perfect image crumbles, along with her chance for second love. Yet when one of her sons vanishes, Declan is the one who steps up to help her find him. During the search, Giselle learns how deep the goodness in Declan goes, and she’ll have to decide if that’s worth giving him another chance.
 

As usual, I know it's far from perfect, so please feel free to share further (hopefully helpful) comments. 

Monday, May 5, 2014

The Triple Whammy Crit Returns

Hey all! Misha here.

Once again, I'm critiquing queries, first chapters and/or synopses this week. As before, this will work on a first come, first serve basis.

You're welcome to only send one or two of the three, or you can send all three and specify if you don't want something posted. I prefer the latter, because I find it's easier to spot a problem if I can see a bigger picture. If you send all three, I'll crit all three and post (or post about) whichever I deem useful or interesting in some way (unless you specify differently, of course).

Interested? Please mail me at unicornbellsubmissions(at)gmail(dot)com and put "Misha" in the subject line so I know it's meant for me. Just one thing: I don't do erotica. I realize that it's a legit genre and don't throw any aspersions on it, but it's simply not something I read. Everything else is fine.

*Rubs hands* Can't wait to see if anything's sent in...

Thursday, April 17, 2014

Critting NO REST: macro level concerns

No Rest is a science fiction WIP...

Chapter One

I paddle out, breathing evenly in the early dawn, mist rising from the water. The whole place is quiet and still and silent except for Grandfather. He tells me to hug the shore.  The oars are light in my hands. I’ve been practicing since the ice melted. My arms are strong.

Grandfather points and I aim for the spot, a place where the marsh grass bends. The current pushes against the boat, making me work hard, and soon I’m sweating, arms aching.

The breeze waves the grass at either side of us. It’s close enough to touch but I keep my hands on the paddle, breathe deep the mud and brine. I lean and dig into the water, pulling the boat into the narrow inlet. Grandfather is silent behind me and I don’t ask where we’re going even though I want to. I just keep paddling until there’s no more water and we run aground. >>oars?<<

Grandfather gets out first, his feet sinking into the mud as he climbs up. He turns back to give me a hand and I let him. The wind is cooler above the water and the sky is bluer, immense over the long marsh, up above the fir trees, and all the way to the distant smoke rising from our chimney.

A tug on my hand makes me pay attention and I follow Grandfather across the spongy ground to the trees that mark the forest. There, a path leads up the steep incline, thick with cedar, oak and pine and beech. Rocks have been thrown into the mix in haphazard fashion, offering handholds and ledges.

We climb.

Soon I long for the breeze.

Sweat trickles down my neck. My breath comes hard. I’m glad when the ground levels off and we come to the road above the river. It’s an old road, doesn’t lead anywhere anymore – or so I’ve been told – and I wonder why Grandfather has brought me this way.

Suddenly he stops, listening.

A second later I hear it, too, a jingling sound, and then we both see him coming, this man with bells and a box strapped to his back. He wears a patchwork jacket and a tall hat but it’s the box on his back that tells me who he is: a tinker.

We don’t see them very often anymore; they’re a dying breed according to Grandfather. Who needs a tinker when there’s a whole town just down river or a super hub an hour away?

His face brightens at the sight of us, a big grin widening his mouth, brown eyes twinkling. He opens his jacket wide and the lining glitters with who knows what: jewelry, utensils, knives, watches, trinkets. He starts to pull the box off his back but Grandfather puts a hand up.

“We don’t need any pots or books,” he says.

“Something else then?” the tinker tilts his head expectantly, takes a step closer.

“Do you see anything you like, Cammi?” Grandfather asks me. >>This is the first clue as to our narrator's gender. Having nothing else to go on, I'd assumed a boy. Then again, the only clue it's a girl here is the "i".<<

I start to shake my head but Grandfather says, “Something to take with you when you go,” and I understand he wants to buy me something, a going away present. It isn’t like him but I think maybe he’s feeling sentimental so I take a step closer, looking hard at what the tinker’s got.

An old watch catches my eye, the sort that opens and closes and sits in your pocket. I point and the peddler hands it over for me to look at. The bottom side is smooth and worn as if rubbed; the top is engraved with a design I cannot cipher. Flat, pearly gems mark the edge, flush with the metal, glimmering. I can hear the clock ticking inside.

“How much?” I ask, intrigued.

“We’ll take it,” Grandfather says.

He shoos me away, negotiating in whispers with the peddler, which worries me a little. But I like the watch. I like how it feels in my hand and the faint ticking sound it makes. It has a little chain to attach to your belt.

Grandfather joins me, and the tinker waves goodbye, his bells jangling as he goes back the way he came. We head back down and we’re almost to the boat when I ask, “Did you know he was going to be there?”

Grandfather smiles. But he doesn’t answer.

#

A week later I leave for the academy, the watch in my pocket and Grandfather reminding me not to trust CGE – the company that’s paying for my education. I resist the urge to roll my eyes.

Don’t get me wrong. I love my grandfather, more than anyone. More than the father I don’t remember, and more than my mother who thought nothing of leaving me to chase her dream. But he’s old fashioned like a lot of old people. Always thinking things were better when he was a kid, and that ‘the worlds have devolved and all that was good is slowly leaking away.’ I think he’s being a little dramatic, or maybe just remembering wrong. ‘You forget, Cammi, I’ve been around a long time,’ he reminds me. Which is true; he has. He was around when Cedar made first contact (although he maintains it was CGE who made first contact) and he was there at The Vote, the first one, when Cedar joined the AP – the Association of Planets. ‘A day of infamy,’ Grandfather likes to say dramatically.

“Then why are you letting me go?” I asked him the last time he went on about CGE.

“Because I don’t want to lose you,” he answered.

“You can’t lose me, Grandfather,” I said, hugging, him. “No matter what.”
He waves at me now, and I blink back tears, missing him already. It will be three long years before I see him again.

>>As you can see from the lack of red ink, the storytelling is fine. You did make the reader wait a long time for a few scraps of science fiction, though. Everything about this, so far, says fantasy -- the pacing, the setting, the characters, the low-tension beginning. I have to assume this is the truth of this world, and it will make any high-tech-ness that follows feel like a veneer. 

Maybe that's what you want. The story will have to come back here, too, for dramatic completeness... though you've already kinda shot that tension in the foot by telling us when she'll see Grandfather again.

The story doesn't have a grip on me yet, since you introduced Grandfather and promptly took him away, and there's no tension yet... but bravo on the writing.<<

Tuesday, April 15, 2014

Critting: working in more voice

Nobody's sent anything to crit (that was a mistake on Sunday's post) so I will take the hot seat. I've been revising my science fiction novel lately, and one of the major goals was to work more voice into the narrative. I've highlighted my additions in red and crossed out the deletions. Feedback is welcome!

This scene takes place several hours before a big "rebel attack" on the enemy. We're in a spaceship with zero gravity at the moment. Caution: a bit of bad language ahead. 

Shen focused on snuffing the cigarette between his fingers as he coasted into the kitchen. Gentle squeeze and the embers died. Good. Fishing out his case, he slid the half-cig in next to his last two. Then he unclipped his empty squeeze bottle and stuffed it in the multiwasher.

A soft parting of lips caught his ear. Hadn’t noticed Neal and Cherette up against the steam cooker. He had her pinned, gently, and her dark hands were in his back pockets. Mouths still hovering close. Then her eyes flicked to Shen for a moment and she whispered something. Neal glanced over his shoulder, tensing up.

“Sorry.” Shen reached for the fridge door and pulled it open, stuck his head in. “Came for a drink.”

“Should take this down the hall anycase,” Cherette said.

Shen glanced up over the fridge door as they went and caught Neal’s eye. Threw him a little salute. Chuck’d been moon-eyed over her for weeks, and she’d been teasing.

In the fridge, there was one Bloody Mary left but Shen was looking for water. Had a nice buzz going and just needed wanted something to clear the tomato juice and nicotine from his mouth before getting a nap in. Needed to get back to Cassie and unclamp from Himalia Star before Neal started assigning strafing vectors. Assuming he didn’t oversleep after Cherette was done with him.

Lucky chuck. Chickie had an ass on her. 

Glenna landed softly against the corner of the fridge and Shen straightened up, cold water bottle in hand. When She didn’t speak or even smile for a long moment, he asked.

“Not keeping that chuck? Meyer, was it?” he asked.

A moment’s frown, and then she shrugged. “Keep him? Who says I didn’t already fuck his brains out?”

"Don't look like you're hunting your next victim." Shen knew what she looked like after a good fucking. “Chuck didn’t put up enough fight, then.” He closed the fridge.

Glenna grimaced, raked one hand into her blonde hair, and pulled off her headband. “Maggie hates me.” Its rhinestones glittered against the dark cloth as she drew her hair back into a fat tail and wrapped the band around it a few times.

She’s said that before.”

She Wouldn’t go with the Singhs.”

“Heard you arguing.”

“Everybody heard that, I'm sure clear enough,” Glenna said, ponytail finished. She lowered her hands and simply hovered in the zero gee.

Was more to it. After a moment, he nudged. “And?”

Her shoulder twitched. “Making me think.” Folded her arms under her breasts.

Shen took a swallow of water. Scratched behind his ear as he waited. No point pushing, he knew. Gotten in enough arguments already.

Without a nudge, Glenna said, “Could call this off,” Glenna said.

Their eyes met. “The attack?”

Her voice lowered. “Call it off, keep going, slingshot around Io and head out to the Trojans. Someplace far away.” Glenna’s gaze wandered away from his. “Be nobody again. Just be.”

She joking? Shen’s brows dragged together. Knotted themselves hard as he waited for her to laugh it off. Had to be kidding. She knew… everything, fuck, he’d told her why he’d thrown in with this. Confessed it. Shen said nothing, watched her.

Glenna glanced back to him, for a moment, then looked away and waited.

Shit, she wasn’t joking. Quietly, “Why.”

“They’ll still be dead, clear?” Her voice trembled. “Ma and pa.”

“Been building up to this for months,” Shen said, voice still low. “Everything we’ve done so far, and what’ve they taken seriously? What’ve we earned? They won’t be able to laugh this off. Or cover it up.”

“Know that, but…”

“But we let them keep taking from us? Your parents, mine, Danae. Four Corners. Your folks. My folks…” His voice turned ragged and stopped him.

Glenna let her breath out in a sigh. “No.”

Shen took a sip of water to clear his throat. “Where’s the line drawn, then?”

She stared into the distance. If she lost her spine, if she called this off… Shen kept his eyes on her. Maybe he could leverage Neal and Josh into doing it anycase. Long shot.

“Booters are fighting back, Glenna. Because of you,” Shen said. Please, don’t run from this.

Her gaze came back to him, with a thin smile. Then she said, “Keep her safe?”

He blinked. Who? “Maggie?”

A nod. “Something goes wrong, you come and get her out? No matter what.”

Easy. Maggie deserved that. Shen nodded. “I will.”

“Swear it.”

His brow crinkled again.

“No matter what, you get Maggie out safe. On your honor.” Her blue eyes were focused, now, stern.

That was serious. But this attack on Kennedy was serious. Shen inclined his head. “On my honor. So long as I get my shots in.”

“You will.” Glenna lightened the moment with a smile. “Seal it with a kiss, too,” she offered.

He leaned in to take that offer, and caught a whiff of cologne on her cheek. Mid-kiss, he paused and sniffed. Male, spicy. “You did fuck his brains out, didn’t you.”

Glenna smiled, wrapping her arms around his neck. “He didn’t put up enough of a fight…” "And now for my next victim..."

Sunday, March 2, 2014

Introducing: Misha and what she'll do for you on Unicorn Bell

Hi. I'm Misha.

I'm one of the new moderators... Meh that sounds horrible. I'm one of the newer awesome peeps making sure that this blog runs smoothly. 

A lot of you probably know me from my other blog

For those of you who don't, I'll share five quick facts about myself:

1) I write spec fic, romance, a bit of mystery and a smidge of period stuff. In YA and Adult. 
2) I read a lot wider than I write, but I don't do horror, and I don't do erotica. (Useful to note for crit submissions.) 
3) I own five kittens (seven months old), so I guess I'm well on my way to become a crazy cat lady writer person. 
4) I LOVE helping new writers and seasoned writers alike. 
5) My crit style is bare-knuckles honesty. If I like something, I'll tell you and why. If I don't like something, I'll tell you and why. I do my utmost best to refrain from sarcasm in my comments. BUT. If you're wanting constant praise, I'm not the person to send your book to. Generally though, I crit the way I like to be critiqued, which means you won't have to wade through tons of muck in order to get to the point I'm making. 

Okay? Okay. 

With that done, we can get to the fun part! Basically, I have all week to help writers, and I thought I'd start by critting queries, synopses, and/or first chapters. So feel free to send me one, two or all three of them. I won't post all three, but I will send back a full crit while posting the thing I think will help other writers most. 

For example: If you send me a query. I'll post it. If you send me a query and synopses, I'll post the one that has something new to learn from, or seems more interesting to me. I will, however, send back a critique on both to your e-mail address. Odds are that I won't post first chapters, unless they are short. But I'd like to read them, because it gives me a good feeling for voice, which can make a query letter shine. 

I have five days available this week. For now, I'll work on a first come, first serve basis. After the first five, I'll file the mails away for my next opportunity to critique. And those will be done first. Unless I get a ton. But I'm assuming I won't so no worries. :-P 

To submit: 

Write me a short message, letting me know if there's anything in particular that you struggle with. 

Then, paste in the body of the email your query, synopsis and first chapter to the same WiP. Emails with attachments, or with mismatched submission materials will not be critiqued. 

Please put my name in the email's subject line. 

I'll let you know when the post will go live.

Address to send to: unicornbellsubmissions(at)gmail(dot)com



I really hope you ladies and gents find my help useful! 

Thursday, February 13, 2014

Critting an UNNAMED SEQUEL

 This is a science fantasy WIP. Author's questions:
1. Please highlight where its still "telly" so I can dig deeper.
2. Is there too much backstory this early on? I'm struggling with knowing what to tie into the first book and what can just start fresh here without referencing past events.

Landry Sutton stood near a precipice staring up into the night sky. Orek was out there among the stars blocked by the light of Sendek’s three moons. It waited for him, unseen and yet hauntingly familiar. A breeze chilled him as he struggled to separate his own thoughts from the memories of a dead mage. >>ok, whoa.... who/what is Orek, is Sendek the planet we're on, and what does the "it" refer to? The light of the moons?<<

That distant planet had been Jaron’s home world. He was the mage that had taught Landry and Talia about magic. Well, he introduced them to its possibilities. The most useful thing he had done before he died was press his memories into Landry’s mind by a bonding trick, but even that had side effects. Thinking about Orek opened memories for Landry that at times felt more real than his own life. He could close his eyes and get lost in them.

Jaron’s home world included mountains and wild lands just like Sendek. In the memory currently playing out in his mind, Jaron sat throwing rocks into a stream with his small son. The boy couldn’t even talk, but he laughed every time the stone hit the water with a plop and a splash. Landry’s heart ached for the loss of the boy that felt like his own flesh and blood.

He tossed a stone over the edge of his cliff. The soft swish of it bouncing through the brush brought him comfort. Jaron was with his son now, and one day he and Talia would have their own family. Jaron’s memories might carry unwanted emotional baggage, but they would be useful on this mission. >>this "he" currently refers to Jaron.<<

If only he and Talia could go to Orek alone. >>none of the above told me that we have to go to Orek, so this feels like a non sequitor and/or the above is not relevant.<<

There was the rub that kept him awake at night. Stefan swore he trusted them, but he gave in to the committee. Two people of non-magical abilities had been assigned to the expedition. The process of choosing who had delayed the mission and could only be seen as another sign of the unrest boiling under the surface of the tenuous peace since the Dragumon’s defeat. Could it only be two months since the dragon-human hybrid had returned from exile to attack the planet? >>so... there are four people on this upcoming trip?<<

It had all happened so fast that even now Landry had a hard time wondering if it had been real. However, the massive starship in orbit around his planet couldn’t be ignored. Especially when Talia begged to go there daily.

Talia.

A small smile turned up Landry’s lips, and he turned to the path that would lead him back to the cave retreat and his new wife. Two months ago he never dreamed he would marry, much less a feisty scientist mage with a penchant for dreaming about the future. He had kissed her for the first time here at this cave after barely escaping death together. She slept there now, warm and waiting for him. His nerves about the trip settled. At least they would be together. That’s all that really mattered.

He pushed back a thick covering of vines by the hillside to reveal the massive steel door with keypad lock. It slid back with ease, and he stepped into the warmth of the cave.

The main room was dimly lit and looked much the same as it always had. Small kitchenette along one wall, food locker and storage cabinet along another. There was a large fire pit in the middle of the oddly shaped room with enough wood piled in the shadows to last weeks. The only difference was in the back of the cave. He had another room carved out and a real bedroom added. Cots had been fine that first night Talia stayed here, but that would never do now they were married.

“No!” Talia’s scream shattered the silence of the cave, and sent Landry running for the bedroom.

“Lights on!” He called and the computer immediately complied.

Talia remained fast asleep, but she tossed and turned in the bed, sobs punctuating her ragged breathing. She muttered something, but Landry couldn’t hear it clearly. He moved to her side and shook her shoulder.

“Talia, wake up.” Another shake and then Landry lifted her up to slide beneath her. “Come on, wake up for me.”

Talia opened her eyes with a groan and a shutter. “What…” >>shudder?<<

Her entire body went rigid and her eyes opened wide. For a moment she stopped breathing.

“Talia!”

She gasped for air and her body convulsed in his arms. Landry loosened his grip while still keeping her safely on the bed. One tremor lifted her out of his arms before she collapsed again. Her eyes rolled back in her head, but the trembling lessened. He tried to enter her mind. Images and words sped through their shared space, but nothing made sense. With nothing to focus on he pulled back out. After another minute, the shaking had subsided to shivering as the sweat cooled on her forehead.

Talia’s eyes fluttered open, but she lay listless in his arms. “What happened?”

“You were dreaming and I woke you up.” Landry rocked back and forth, scared to let her go. >>show me that he's scared -- or just drop it, people rock when they're scared...<<

“I don’t remember anything.” She struggled to sit up and push the tangled sheets off of her legs. “How do you know I was dreaming?”

“You called out. I couldn’t enter your mind.”

Goosebumps broke out on Talia’s arms and her teeth chattered as she shivered. This was more like the normal aftermath of her dreams and something they could deal with. Landry carefully reached outward with his mind until he slipped easily into Talia’s. Inside their shared space they could communicate freely.

If this is the aftermath, what were the seizures you had moments ago?

Don’t know. Her fear permeated both of their minds.

Shhh. We’ll figure it out, but from now on I’m not waking you when you dream.

I think that’s a good idea. Talia switched back to vocal communication, “The timing on this is horrible. What if the dream was about our trip to Orek? We’ll be walking into the situation blind now.” >>Since she never indicates that she even remembers the dream, the last two sentences seem a bit rhetorical.<<

“We’re going in blind no matter what. Even Jaron’s memories are no longer an accurate picture of what we’ll find. It’s not too late to change your mind.”

Talia sank back against his chest. “It’s our only chance of learning how to train these new mages.”

“Then we go. Dream or no dream.”

She inched closer and Landry draped one arm around her waist. His other hand absent-mindedly stroked her hair. He listened until her breathing fell into an even rhythm.

“Landry?” She whispered.

“Hmm? I thought you were asleep.”

“I’m scared.”

Landry’s hand stilled.

“Me too.”

“Why are you scared?” She asked.

His hand moved on its own again in an attempt to comfort both of them. Talia slid her hand from his chest and around his side, squeezing him tighter. Did she really want him to answer? A brief touch of her emotions and he knew the answer.

“I had hoped you wouldn’t dream again after the Dragumon were defeated.”

Talia sighed and buried her face in the side of his neck. “Me too.”

Landry shifted until he cradled her side by side. As tough as Talia appeared to everyone else, she was still the little girl looking for protection from her nightmares. That hidden need in her was what had first drawn him in. Even now she clung to him, scared of the unknown dream and something else. He gently probed her mind and emotions.

I’m never going to get used to this. Talia’s thoughts drifted by, not really connected to him, but present all the same.

Used to dreaming?

Talia reached up to hold his face in her hands. “No, needing you.”

She tugged his lips towards hers and he obliged. That familiar electricity coursing through both of them heightened every sensation.

“I’ll always be here.” Landry whispered against her neck. “Just tell me what you need.”

“Make me forget everything but you.”

>>I don't think it's too much backstory. It's a gentle start but it could work. More drama in the next scene? :) <<

Tuesday, February 11, 2014

Critting UNLIKELY MAGE: implausible setting

UNLIKELY MAGE is a speculative fiction WIP. Apologies for the late post!

The motor-drone sound didn’t bother Bert Reese. He could snooze through any commotion. Especially the lecture in his psychology class.

Sleep provided an escape from Mr. Butreil who taught class like a man whose sphincter muscles never relaxed. And Bert was performing his usual shut-eye admirably. Then a word broke his sleep pattern.

Wizard.

Bert raised his head and fixed a hard-eyed look on the teacher. Butreil caught the movement and scrunched his face like a man eating a lemon. Or maybe his sphincter had ratcheted up a degree.

Around him, the other students showed the same lack of enthusiasm as he had. One boy with spots was combing through his lank hair with his fingers and gathering the dandruff into lines of dingy white. A girl openly read from a novel with the cover of a bare-chested man while another doodled with a broken eraser pushing it with a long finger. Behind him, Bert heard a feminine sigh. Bert straightened in his too-small chair. >>I had assumed this was a college course -- now I'm guessing it's high school BUT... got to ask for a reality check here. I took Psych in high school. It was strictly an AP/college-prep level course and therefore everyone in the class wanted to be there. We were all alert and well behaved. I can't imagine that a school with this kind of behavioral problems in its students would have the resources to offer Psych, let alone foist it onto unwilling students.<<

“You said wizards are historical figures?” Bert said. Around him, students looked up. The girl closed her book, the kid pocketed the eraser, and Dandruff-Head swept the junk onto the floor. A sound of feminine disgust came from behind Bert. >>Why is a psychology class talking about wizards? Nothing that gets talked about in this scene has anything to do with psychology...<<

 Butreil gripped the pencil he held and released a breath. Bert hadn’t bothered to raise his hand.

“You say they use fake crap to do their tricks, make elephants disappear, whatever. But you don’t know that.”

“Bert.” His voice held a warning.

Like I care. Bert flipped a negligent hand. “You can’t explain all of it.”

“Show me proof it exists, then.”

“Man, that’s like saying, ‘prove your innocence’.”

Someone snickered and the teacher narrowed his eyes

“Bert, the science is incontrovertible. The physics alone make it impossible—”

“Sez who?”

Red crept up the teacher’s neck and face earning Bert’s interest. >>And my disinterest. Teacher's incompetent and Bert isn't making a point, he's being an ass. Why should I keep reading?<<

Definitely an eight on the scale of Pissed Off. 

Once again, a feminine laugh came from behind his chair. >>and she's an ass too<<

Butreil ground his teeth. Bert wondered if he’d see the teacher’s fillings ping out of his mouth like bumper cars. He was disappointed when Butreil ignored the question and turned back to his study guide.

“The history of wizards goes back to biblical times,” he said, reading from an open textbook. “Shamans and druids made their own magic, formulating legends and myths about…What?”

This time, his anger wasn’t directed at Bert but to a point over his shoulder.

“How did they make their own magic?” said the light feminine voice.

Red crept up Butreil’s neck giving it the appearance of a turkey’s wattle. The look he usually reserved for Bert, the I-know-better-and-you-are-stupid, formed on his face.

Butreil threw a hand out, gesturing. “People they called oracles hid behind screens. Read entrails. They interpreted natural phenomenon like a meteorites going across the sky and said, ‘Lo and behold, it’s a sign’. Anything handy, anything not readily explained.”

The teacher snorted and had a half-smirk on his face. “They sure didn’t pull it from the air, that’s for sure.”

Snickers came from every corner of the room. Bert opened his mouth to snarl something but the girl beat him.

“You are wrong to make a broad assumption that cannot be proven.”

“I don’t have to prove it, missy, all I have to do is use common sense and intelligence.”

“And there you go, putting those personality traits together when you have so little of either.”

When the teacher’s mouth dropped open, Bert could see the guy still had all his fillings. Even in the back teeth. He snapped his jaw shut and pointed one bony finger.

 “You. Now. Office.”

Another soft chuckle from behind. “I apologize, sir.”

At that, Bert turned. The girl was off to one side and her crooked smile was for the teacher but at his movement, her brown eyes flicked to him and then back to the front of the room. A new girl.

Not that he cared enough to know who she was. Not after seeing what flicked around her like so many fireflies.

Why bother.

He turned back to Butreil who must be about apoplectic by now.

But the teacher’s face seemed flat lined, emotionless. Then he shrugged and turned back to the textbook spread in front of him.

Bert narrowed his eyes and felt his skin crawl. When he saw his doubled fists on the desk, he leaned back and put his hands out of sight on his lap.

“Magic is performed for entertainment, illusions made and practiced by those skilled at nimble tricks…”

Butreil droned on, reading the book while his class slept. After hazarding a glance at the teacher two girls passed a magazine back and forth. A boy with a nasty pimple on the back of his neck was stealthily texting. Another kid with stringy blond hair had his head back and mouth open to the ceiling. His guttural snores caused a few in the room to snicker but Butreil was oblivious.

“…when the tricks are performed at high speed, it is seamless and creates the impression that fire has appeared out of nowhere. Live audiences do not have the convenience of high-speed cameras that slow the action, enabling the exposure of the illusion. And in today’s technology, some magic still cannot be explained…”

The bell rang but Butreil continued talking his head bent and eyes on the words of his study guide. Someone poked the snorer who jerked and coughed as the herd rose and made for the classroom door. Bert let the mob go ahead of him.

He turned at the door to stare at the teacher, still speaking without any tone his focus on the book.

The new girl didn’t seem to be in any hurry to join the mayhem in the hallway either but gathered her books slowly, her eyes narrowed at the still muttering Butreil. >>Teacher told her to go to the office. Why didn't she?<<

The teacher jerked and grunted, then looked around confused at his nearly empty classroom. The girl hugged her books to her chest and slipped between the desks to the front. Her eyes flicked briefly to Bert then she was out the door.

Butreil sat back in his chair in a seriously major funk. >>POV slip? Did you mean for the narration to be omni?<<

Bert shrugged and joined the exodus to the doors. The embodiment of “never waste time on Fridays” was the motto of every person at high school. He made it to the hallway leading to the outside doors without touching anyone. Or talking.

Avoiding people worked both ways. His friends knew better than to stop Bert especially after school and he didn’t want to talk to any of them on the best of days anyway. And this wasn’t even close to a good day. He walked unmolested down the hall and parted the crowd of yapping idiots. Only the propped-open doors to freedom held his attention.

“Bertram.”

He heard someone call his name but didn’t stop, pretending the voice was an annoying insect. The coach pushed ahead of the escaping students and blocked him. For a moment, he debated pushing around the man but decided against it. He felt his face turn to stone as the coach shook his head.

As coach of the track team, Ralston had the look of a man who had never been on the receiving end of a harsh word. He encouraged rather than degraded his young folk. They worshiped him for it. Especially since the results brought a winning strategy and medals to the team. >>How does one look like they've never received a harsh word?<<

“Now, kid, just hang on. You’ve been dodging me for ever since you quit and I want some answers.”

“What kind of answer will get you out of my face?”

Ralston stiffened and Bert could see frustration cracking his forehead into grooves. “I want to know why.”

“Man, I do not have to give you any whys. I quit. That’s it. That’s all. I quit track.” He tried to brush past but Ralston held out his hand without touching Bert. He knew better than to touch him. Everyone knew not to touch him.

“Bert,” he said. “You were good at it, always on time. And you seemed to enjoy it.”

As Ralston spoke, Bert tuned out the speechifying. As usual. He looked past the coach at the trophy case filled with tributes to past athletes, faded photos, and school emblems. The pictures of smiling boys were ancient, the edges curling with the years. In the reflection of the glass, the back of Ralston’s head looked like the beginning a monk’s bald spot. His eyes shifted to the reflection of his face. Hard, stoic, with a veneer of anger clouding them. >>Two sentences doesn't feel like speechifying to me...<<

Nothing familiar there. But I’ve been born twice now. Not many people could say that. >>Ah. Now there's the first line of a story. Could we start here instead?<<

>>I lost faith in the setting pretty early on, as you can see. Didn't feel plausible to me, so as a reader I'm not willing to give you the benefit of a doubt on other aspects. The characters you've introduced have been cast in a very negative light and that makes it difficult for me to take them seriously. Or care what happens to them. 

Your last line, now that's interesting. Also, the fact he's trained everyone not to touch him -- but given that Bert's a jerk I don't know why anyone would want to touch him anyhow. Since we've gotten off on the wrong foot, can we get a do-over?<<  

Monday, February 10, 2014

Critting THE PRINCESS OF TYRONE: flat character

THE PRINCESS OF TYRONE is a NA sci/fi Fantasy WIP. The author says: In this WiP, I can't seem to quite give my antagonist enough... depth, I guess. It's a Sleeping Beauty retelling, and this is a scene with the sorceress who cast the curse. The prince has taken a fancy to a huntress, who is secretly the hidden princess. The sorceress is trying to push the prince to the huntress so he breaks the betrothal with the princess, so sent a griffin to frighten them into each other's arms. The "Whites" mentioned are Snow White's grandchildren.

Bryanna stared at the dark green goblin blood up her arm. She pulled the goblin’s head back, making him whimper. “What do you mean there’s no record of Apolline of Mish? Did you check the Hansel and Gretel family?”

“Yes, my queen,” the goblin answered weakly.

“Urgh!” She tossed him on the ground, pacing. “And you searched for just Apolline?”

“Yes.” He shuffled up onto his knees, bowing before her. “I searched all the Apolline’s in the galaxy.”

She screamed in frustration, black lightning shooting from her fingers. “How is that possible? She can’t be nobody. She can’t…” She paused, seeing the news feed for the day and, as usual, Nathaniel White showed his cruder side. “The White’s.”

She reached over and motioned for the image to enhance. “Nathaniel White’s betrothed is kept secret and they are about the same age.” She spun to the goblin. “Look into it.”

He scrambled up onto his chair to hack into the kingdom archives.

Bryanna marched from the room, her black coat flaring behind her as she went. In the hallway, she paused as she passed a mirror. She stared at herself.

“I’m beautiful,” she whispered, touching a line in the corner of her mouth. Although in her forties, her hair remained a rich dark chocolate, and her green eyes vibrant. Many men had desired her, but only one captured her heart.

She heard a soft squawk from her chambers and rushed in. The griffin limped through, blood pouring from its right shoulder. She hurried over, stroking its head. “What happened?”

The serpent slithered up beside her. “The girl shot it.”

“I said to be careful,” she said, resting her hand over the wound. A soft green glow came from the wound, and she raised her hand to show the single bullet. She examined it closely. “She only left a slight imprint on it. I feel fear.”

She pressed it to her lips. “And a hint of love.” She looked down at the serpent. “How did it go?”

“Their bond is growing stronger. The prince protected her, and she in turn protected him. Then she saw to his wounds.”

Bryanna ran her hand over the griffin’s shoulder. “Go be seen to.”

The griffin limped into the hallway.

She looked down at the serpent. “Find out what fairies live in the town. I want to know who has taught her about magic and if I can use it to my advantage.”

“Yes, my queen.”

Once the serpent had gone, she turned to her mirror, its cloudy grey swirl barely reflecting her image. “I’m beautiful, aren’t I?”

The mirror swirled and showed Cytheria’s face. “Not as beautiful as she.”

Bryanna clenched her fist. “I hate you.”

>>From what you've sent, I would say that Bryanna lacks depth because she isn't personally involved in the story. In this scene, she's just walking around giving obvious instructions, being bitchy, and looking in the mirror. There isn't anything interesting about that, and that's why I didn't write any in-line notes -- the scene is pretty much useless as it is, IMO.

I'd say re-write this scene to show me (not tell me) how Bryanna is personally involved in this. The reader needs to meet her as a real person with motivations and the threat of consequences. Her character arc needs to be as clear as the hero's -- even if the reader does not see all of it.<<

Sunday, February 9, 2014

This week: long form crits

Final call for submissions for this week -- I only have two lined up, so there's room for more. If you have a full scene (or two) that you would like feedback on, email it to unicornbellsubmissions at gmail.com. Up to 1,500 words, any genre, any scene. Please give the WIP's name and genre in the email. All submissions are anonymous.

I like long-form critting because I like to crit on a more macro scale: pacing, character motivations, world-building, voice, things like that.

If I don't get at least one more submission, maybe I'll post a chunk of something of mine. I've got some irons in the fire that could use fresh eyeballs...

Wednesday, January 8, 2014

Critting SHROUDED GODDESS: world-building

SHROUDED GODDESS is a YA Fantasy.

Chapter 1

I sneak into Aryeea’s bedroom as soon as the hallway empties. Harp notes and laughter drift in the air, from the night festivities downstairs. Eyes closed and ocher hands folded over her chest, my grandmother seems at peace. Her dark hair is still as black as mine. Tribal blood pumps strong in our veins, no matter what we do to hide our descent.

As she lies, resting on a bed brought from across the sea, I can almost believe Aryeea is dead. I've always known she wouldn't live forever, but the thought of not seeing her again isn't comforting. I'll even miss the snapped orders she gives me all day long. >>Four-syllable names pretty much always get shortened down to a nickname. Plus, this one is kinda rough on the tongue. Ar-y-ee-a. More on this to come.

"Sophie, stop viewing me and close the door. I’m not dead yet." Her bark wakes me from my reverie.

As always, I turn to do her bidding. "I thought you died without saying goodbye."

"I will, but not yet. And when I do, make sure they bury my wedding braid with me. Your grandfather might need a reminder when we meet on the other side. And your uncle won't even think of it when the time comes. Now come here, cunyataee." >>you don't even want to know what I thought she called Sophie, at first glance. This is a five-syllable word and even rougher than Gramma's name. 

Last month, on my seventeenth birthday, I decided to stop reminding her I wasn't a little girl anymore. That I should be married by now doesn't matter. I'll never be cunyan to Aryeea. >>finally, a word that makes sense.

I sit next to her fragile frame. She is only half the baroness I knew in my childhood.

"I'm sending you on an errand outside the castle," she says. "Take Gavin."

I bite my lip. "We're not friends anymore." Ever since my brother drowned.

"Nonsense. If you ask, he'll go."

I doubt it. He hasn't talked to me in the last two years. "I can go into the village by myself."

"If I needed something from the village, I'd send a maid. Gavin can swim. I need you to wake up the goddess Ig."

My mouth opens and shuts. No sound comes out. I glance at the door to make sure it’s closed.

"It's time to face the water, cunyataee."

"But Uncle Hector won't agree." He has forbidden anyone from even mentioning the old lore. Losing Petro to the river only made Hector more determined to punish those who brought up the tribal myths.

"Which is why I'm sending you, not him. It's time the Peetanguara had a say in this land again. I've lost two barons-to-be since my husband died. My husband was his father's son when it came to the water goddess and Hector was carved from the same stone. Your father was more my side. He understood. And so should you." >> :( 

Aryeea always had a rebellious nature. I don't know how she managed to convince my grandfather to a Peetanguara wedding. It went against everything he believed. Maybe he just catered to her whims to keep the tribes from revolting. The plantations need workmen who know the land, but the tribes only work with family. Not that the Carayba invaders have any trouble taking red wives to their bed. They left most of their women across the sea, so Peetangas will do just fine over here. >>None of this is relevant right now. What we need to know is why the water goddess needs waking and why it's dangerous/forbidden/whatever. 

"I don't want to upset Uncle Hector." I'm tired of his threats. When grandfather died, my father received the seat. But he died soon after. My brother was too young at the time and the tribes wanted nothing to do with Hector and his Carayba wife. The Peetanguara still considered Aryeea their ruler, which is why she stayed in power these last five years. >>Also not relevant

She pats my hand. "The only reason Hector hasn't married you to Victor is because I'm still alive. Who knows how many days I have left? I don't want to leave you to their mercy when I'm gone." >>How is this relevant to the water goddess?

"Do you even know how to wake up the water goddess?" I whisper. The last Peetanguara council was killed during the invasion, when Aryeea was a cunyataee.

"You've heard all the stories. You know all the songs. I'm sure you'll figure it out." >>Well, I guess waking Ig isn't all that important or difficult...

"I'll think about it."

"No. You leave tonight."

"You ask too much of me. I'll get in trouble with Uncle Hector."

She smacks me on the head, but not strong enough to topple me off the bed. "Fine. I'll tell Father Malta he can marry you to Victor tomorrow."

Tears sting my eyes, but crying will only make her follow through with the threat. "It's late and the gates are closed." >>whining doesn't make for a sympathetic main character

"You don't need the gate. What's the name of this hill?"

"Igjameh." >> :((( 

"And what does the name mean?" she asks in a condescending tone.

I take the word apart. "Ig means water." I struggle to remember my Peetanguara lessons from years ago. "Hidden water? Because the Angappi stream flows from inside it?"

She strikes me again, this time making me stand. "The goddess Ig will drown you if you don't wise up. The elders always said the Carayba invaders built this fortress where her temple used to be. Start at the river."

I straighten my dress, making sure the bows on the lacing are knotted twice. "You won't take no for an answer, will you?"

"Not unless I'm dead."

Attempting and failing will be easier than arguing. I kiss her cheek instead of smothering her with a pillow. She might as well have asked me for the moon. Climbing to the snowy peak of Mount Ybaca might have been a more reasonable request. >>Given that Sophie pretty much just pats Gramma on the head and goes about her business, it looks like nobody takes Gramma seriously despite what was said earlier about her. So why hasn't Sophie been married off, and why would that be a problem?

"Don't die before I get back," I say. >>Gramma seems to be in good health, so what's the worry?

"Then hurry. And don't forget Gavin."

I halt with my hand on the doorknob. Will he even talk to me? It will break my heart again if he shuns me. "I'm staying inside the great wall. Why do I need him?"

"You never know what hides in dark corners. A man comes in handy sometimes. It's better to have one who looks up to you than down."

I have no idea where she gets half the things she says. I was only taller than Gavin until he turned sixteen, three years before me. And he hasn't looked at me at all in these last two years. >>so he's already shunning her...?

"I'll ask him." I always do as she says. >>She keeps saying this, but her (lack of) actions speak louder.

"And I'll distract Hector."

I don't realize what she means until I open the door. Aryeea starts screaming his name. I slip into an alcove as people rush up the stairs to answer her cries.

"Where is my son? You're all keeping him from me. Can't a mother even say goodbye?"

Uncle Hector takes his time. When he finally enters her room, most of his cronies are already there--just in case he needs witnesses to support his claim to the Barony. Not that the word of any of these Carayba baronets will have much weight with the tribes. Hector made the mistake of marrying for the wrong alliances. >>Why is Sophie still here? More proof she isn't taking this seriously.

His voice betrays his impatience. "Lady Mother, you're not dying. It's indigestion. Either put your hair up and come downstairs, or quiet down and sleep off whatever ails you."

"So good to hear you're not desperate for my title," Aryeea scoffs.

Their bickering continues, but I’m out of earshot, on my way down the wood steps. I avoid eye contact with all the drunken guests in the dining hall, but an arm hooks my waist before I reach the kitchens.

The pale white skin gives Victor away before his voice does. "Where do you think you're going, cousin?"

His lips are the same height as my ears and his whispered words raise the hairs on the back of my neck. I hate it when he calls me cousin, which is probably why he does it so often. >>just wanted to note that this is a nicely creepy image of him whispering against her neck

"Grandmother asked for water," I say.

"You're not her maid, you know."

Sour wine exudes from his breath and turns my stomach. If he stays this close, I'll lose my dinner. But that’s the least of my worries when Victor is around.

"Let me go. She's sick. She could be dying."

He wraps another arm around me. "The old hag wouldn't die even if we asked her to live forever." His fingers climb up the lacing on the left side of my dress with the agility of a golden lion tamarin. I tug on his arms, but that just makes his grasp on my breast tighter. "If you don't want to be social, cousin, I can think of many other things we could do."

I don't want his hand under my skirt again. The long dresses worn by Carayba women offer more coverage than the feathers and leaves common in tribal garb, but it is still not enough to protect me from Victor. Aryeea is too busy to save me this time. I look wildly around the room. Twenty people, but no friendly face. The other half of the so-called nobility is still upstairs. Not that any of those baronets would help me either. Their loyalty lies with my uncle, which is why they keep their daughters away from Victor. I’m not so lucky.

>>First, let's talk about names. You have a fair number of Greek/Latin-esque names here -- Sophie, Hector, Victor -- and then you throw in some alphabet soup like Igjameh and Peetanguara. And Gavin, which is a perfectly good name but doesn't fit in either. These words come from different universes. They sound like a jumble and it's distracting to have to stop and figure out how to pronounce something.

>>Second, I think this needs less irrelevant world-building and more drama. The most interesting problem (IMO) you've laid out here is that the goddess needs to be awakened. There are lots of relevant things you could have told the readers: why she's asleep, what it will take to wake her, how dangerous this is, why she needs to wake up, what she'll do once awake... you didn't tell us any of those things. 

Are local politics and Sophie's marital status important to the goddess? Or is the goddess irrelevant? Is Gramma nuts? (that could be interesting) I have no idea, by the end of this. 

>>Third, an odd detail. If the Carayba are invaders, why are they lower-ranked than the natives? (Barons outrank baronets)

Friday, October 18, 2013

Critting OUT OF TOUCH: take 2

OUT OF TOUCH is a Paranormal Mystery/Romance -- this is a revised version of what we saw on Monday.

Prologue

I grew up in a suburban part of New York where there are Irish and then there is everyone else.  I'm half Irish on my dad's side and all Irish attitude.  My mom was born in New York, but is Swedish by bloodline. I am the only miracle they ever got.  However, the Fitzgeralds have been our next-door-neighbors since before I was born, and their house has always been filled to capacity.

The Fitzgerald house and my house are like night and day.  My house was a fairly humdrum place to live until my father was killed in the line of duty when I was six years old.  He was a cop.  After that, our house was anything but average.  If I wanted anything resembling normal, I went next door.  I became an adopted Fitzgerald by way of love.

My name is Greta Reilly, although I am better known in The Neighborhood as "Gigi." I was named after Greta Garbo, but back in kindergarten some pipsqueak named Kenny Ross started playing around with my name, Greta Garbo's name, her initials, and it somehow morphed into Gigi.  He started chanting "Gigi" repeatedly in a sing-song voice.  I got so mad that I don't know what happened, but all of a sudden Kenny was on the ground with blood spurting out his nose, and my fist was on fire.  My parents got a phone call, and I got a spanking from my dad that I will never forget.  Anyway, the name stuck and Kenny still avoids me.

My best friend is Franny Fitzgerald.  She is one year older than I am and has paved the way by doing everything first.  She claims it is her red hair that is responsible for all of the scrapes she finds herself in.   She says that if she were blonde, like me, she would live a much calmer life, and trouble wouldn't find her nearly so often. >>Most of the above can be worked into the end of the prologue -- whatever parts of this that don't get mentioned along the way. The most important bit is Kenny, so that you've got a nice repetition of events when she punches Bambi. IMO, your prologue starts with the next paragraph.<<

When we were kids, Saturday mornings were garage sale days.  We got there early because all the good stuff was gone by 7:30 a.m.  On this particular Saturday, I was seven years old.  Mrs. Patterson's house was our first stop.   We had chosen it for two reasons:  the merchandise and the gossip were known to be in abundance.  Mr. Patterson up and left Mrs. Patterson about a month ago and tongues were wagging.  Even though it was extremely early when we pulled up,  old Mrs. Kretsky was already here and pawing through the goods.   Mrs. Fitzgerald's eyes opened round as quarters when she saw the contents on the lawn.  There was so much there that we all gasped. >>there: where? garage sales in a central location? Mrs. F: add one sentence about who she is and why she's taking Gigi shopping.<<

Franny said, "Do you think there is anything left in the house?" >>My best friend Franny asked<<

Mrs. Fitzgerald didn't answer, but she couldn't get out of the car fast enough.  We bounded out after her. It appeared that the house had vomited up the sum of its contents all over the yard.  I had never seen so much furniture outside of a home.  It was fascinating.  I didn't have any money, but I still liked to look and touch.  It was when I picked up the ivy trimmed teacup that my entire life changed forever - and I can't say it was for the better. >>these big words don't really fit in with Gigi's usual voice, which is more casual.<<

I  saw Mr. Patterson drink from that teacup, clutch his throat, while his face turned a mean red, and then he pitched face forward into the table. He looked...dead. >>be more specific?<<

The cup slipped from my hands, I started screaming, and I tripped and fell into a wheelbarrow that was parked on the grass and marked with a "For Sale" sticker.  Then it happened again...

Mrs. Patterson was wheeling Mr. Patterson in the wheelbarrow across the backyard to the garage.  She took a shovel, dug a grave, put his body in it, and parked her Oldsmobile right on top.  Her car, right this minute, was sitting on top of Mr. Patterson.  Worse, I am sprawled where his dead body used to be.   I couldn't get out fast enough.  However, my brain and muscles were no longer working in tandem, so I just flailed around like a beached fish.  Mrs. Fitzgerald yanked me out and helped me to the car.

That's how it began.  I told Franny and her mom what I saw and felt when I touched the teacup and wheelbarrow (panic and satisfaction, respectively).   Mrs. Fitzgerald called in the tip on Mr. Patterson anonymously, just to see how accurate my "vision" was.  The next day the headline in the local newspaper read, 'WIFE BURIES HUSBAND UNDER CAR."   After that, Mrs. Fitzgerald swore me to secrecy.  I've never even told my mom I get visions.

Over the years, I've had more visions and they always take me by surprise like an unwanted guest.   I have spent my life avoiding objects that might have an emotional blueprint connected to them.  It has created friction between me and my grandma, who wants me to take over the family antique business, and has cost me friends, boyfriends, and jobs.  Franny calls it a gift, but she isn't afraid to touch.

Chapter One

After college I ran through jobs like most women go through panty hose.  My current job:  Brown and Bell, which is a small PR firm about ten miles outside of The Neighborhood, in Rockdale.  I've lasted almost six months, which is the longest I have worked anywhere.  Most important, when I reach my six month employment goal I will finally move out of my mother's house and into an apartment of my own. >>is this the official name of her hometown? it's a development, I guess? gated community?<<

I looked up and Roger Brown was standing over my desk.  My boss.  "Gigi, can I see you in my office please?"

"Of course," I replied.

We crossed through the desks and cubes until we got to his office.  I followed him in and he closed the door.  He settled into his chair, cleared his throat, while his eyes darted around the room, not quite knowing where to settle.  Mine focused on the floor at the foot of his desk. Something sparkly caught my eye when the sun bounced off of it.  It was a cufflink.  Diamond. I picked it up.  I was swamped with feelings of desperation and lust.  The vision unfolded revealing  Bambi half naked and Roger tearing off his clothes in an effort to catch up.  When he dropped the cufflink, the vision cleared like fog when the sun rises. >>much better, this explains a lot more<<

"....understand that Bambi is more qualified for the promotion," my boss summed up.

"Excuse me? You and Bambi get naked and I lose out on a promotion.  I don't see where that makes her more 'qualified.' At least not for this job," I snapped.

His eyes opened wide and then narrowed to slits. "Do you have any proof to back up your accusation?"

Proof?  Have any of my visions ever been wrong? No.  Never.  But, I cannot prove them by any standard methods, either.

"Unnnhh, no."

He relaxed back into his chair and looked at me like he had never seen me before.  He knew that I knew, but he didn't know how.  I watched his brain mentally calculate the risk.

"Let me guess," I said.  "I'm fired."

"You're fired," he echoed.

"Right.  I'll just pack up my stuff."

"Good idea.  I will give you twenty minutes to exit the building."

At my desk Bambi was waiting to share her victory.

"I imagine Mr. Brown just told you the good news," she chirped.

"Yes, he did," I chirped back.  "You are one lucky girl."  If she wanted that promotion badly enough that she was willing to do that for it, she could have it.

"Are you going to congratulate me?" she asked.

"You bet.  Congratulations, Bambi."  I grabbed my picture of the Fitzgerald family portrait from last Christmas and tossed it in the box with my I Love New York mug.   "Bye." I flicked her a wave. >>good edits, here<<

"You're leaving?" A look of incredulity crossed her face.  "You quit because of this?  You can't stand to lose, can you?" The smugness was infuriating.  It was Kenny all over again.  I could almost hear his singsong voice.  I don't remember anything after that.  The next thing I knew Bambi was holding her nose, my fist was on fire, and I had this sinking feeling that this was going to end a lot worse for me than a spanking from my father.

>>Better, IMO. How many times does the punch people out before she learns to manage conflict differently? :) <<