Writing, promotion, tips, and opinion. Pour a cuppa your favorite poison and join in.

Showing posts with label betas. Show all posts
Showing posts with label betas. Show all posts

Monday, June 6, 2016

Dear Beta Readers and Critique Partners


Dear Beta Readers and Critique Partners,

Writers need constructive criticism to perfect their manuscripts, but just because “criticism” is in that phrase doesn’t mean you have the right to be nasty. “Constructive” is the keyword there. To be constructive is to be helpful and being rude is never helpful.

Etiquette for Beta Reading and Critiquing:

      -       Before you begin reading someone else’s work, keep an open mind from beginning to end. The story may start off boring but could become amazing.

      -       As you beta read or critique, it is perfectly fine to fix any errors you see with grammar or punctuation (with Track Changes). This is extremely helpful to the writer. Even switching some words around in sentences to help the flow is fine. Just restrain yourself from doing so much that you’re editing their work.

      -       If you find repetitiveness (repeated phrases or ideas) or redundancies (sentences that don’t need to be said), point them out to the writer and suggest cutting them.

     -       Don’t just shine a light on the bad, though. If you read a metaphor that tickles your fancy or a sentence that strikes you with awe, let them know. Did a part make you laugh-out-loud? Highlighting it and leaving a simple comment like “Hilarious!” can really lift a writer’s spirits.

What if you find big problems?

      -       Don’t leave a scathing remark about how awful a scene is or how dumb the characters are. Instead, say you didn’t really care for the highlighted scene then explain why. Perhaps the characters’ actions weren’t believable, the scene wasn’t realistic, or something confused you. Then offer a suggestion or two for how the scene could be fixed if the writer chooses to do so.

Many people create a separate document of notes about the story or paste their notes into an email when they return the manuscript. There is also a way to go about doing this.

      -       Highlight the things you loved about the story, even if there wasn’t much. Tell the writer which characters you loved and scenes you enjoyed. Is the writing vivid? Does the writer have a knack for action scenes? Let the writer know all of this to boost their confidence.

      -       After you talk about the good, mention the not-so-good…the things you feel could be worked on. Tell them which scenes or characters could use some help, and include a sentence or two for why you feel this way. If there are plot holes, point them out and offer a suggestion for how the writer could possibly fix it. Try to be helpful no matter what; that is your job.

      -       Whatever you do, DO NOT write huge paragraphs bashing their writing, characters, or scenes. This is bad taste. And it doesn’t help the writer at all.


Below are real beta reader comments and what should’ve been said instead.

Beta Reader Comment #1: Oh, there are one or two one-liners in her first person POV, but not even those mentally spoken words show any real emotion. So it all just comes across as an author trying so hard to make the heroine the star that she's willing to make the men look weak and incompetent.

What Should’ve Been Said: Work on adding more deep POV and emotion into your main character here. And try to divide some of the heroism among the other characters in this scene.

Beta Reader Comment #2: You also put a couple of scenes in this book that were either unbelievable or ***** acted so contrary to anything a normal person would do that I just couldn't buy into the fantasy. 

What Should’ve Been Said: I pointed out a few scenes that need some work. I think your character’s actions need to be more believable. What would you do if you were in his/her shoes?

Beta Reader Comment #3: Single lines of deep, 1st person POV monologues work very well when used sparingly, but in my opinion, you've over used them in this manuscript and at times, it comes across as a short cut so you can avoid writing something more personal and descriptive.

What Should’ve Been Said: I found spots that could use more emotion and physical
responses so readers can connect personally with your characters.


There comes a point when “constructive” criticism becomes bullying. So remember, it’s important to be considerate during every phase of critiquing. From the first correspondence to the last.




Author of Hurricane Crimes, Seismic Crimes, 30 Seconds, Ghost of Death, and Witch of Death. Blogger. Reader. Auntie. Vegetarian. Cat Lover.

Facebook / Twitter / Blog / Website / Amazon / Goodreads




QUESTION: Have you had a beta reader/critique partner say something harsh about one of your books? All of those comments above are from one of mine...who also said she wouldn't care if my heroine died.


Monday, February 20, 2012

Critique Partners and Betas


If there is one constant in a writer’s world, it is the relationship of the critique partner.

The birth of a novel begins with an idea. Whether you are a pantser or a meticulous outliner, you will paint the picture of you idea with your fingertips.

After that, self-editing can only take you so far. You must have that ‘fresh eye’ to view your work.

The best critique partners and betas give honest, in depth opinions. They aren’t there to massage your ego. Their worth is in the firm and sometimes brutal suggestions.

Listen to them. Weigh their judgment against yours.
Only you know what works. Only you know where your storyline is taking the reader.

But give your CPs equal time in that inner debate. They might see something you missed.

To the CP, be honest but use tact. Give opinion but never with a slap. Do not view a crit as punishment or the chance to show YOUR ego. You are the sounding board for a writer looking for help.

Speaking from the side of a critique partner, a beta, and a writer, let me say I love to crit. It is a privilege to read our submissions.

What do you need critiqued this week? First pages? Your query? Violent scenes? Dialogue? Loglines?

Send us newborn prose or pages you've edited from earlier submissions.

We are all on the same journey and a helping hand aids all of us.


Monday, October 3, 2011

Need a Beta?


At the beginning of my writing career, my ego said I could write a novel without help. After I faced facts, that I could not become a published author without aid, I asked for betas. I found something more than like-minded writers wanting to improve their skill. I found a fantastic community.

Betas spoke the truth I didn’t want to hear; that my MS stank like spoiled milk.

Thank heavens for them and their honesty. And their friendship.

Find a beta, someone who clicks with your style. Their advice is priceless. Critique groups like Unicorn Bell are a part of the process. Use them. 

Check our archives for the survey Charity posted at our startup. It gives guidelines that help to match a critique partner or beta.

I’ve noticed one thing, that folks who do not read fantasy, cannot critique fantasy. They have no patience with the genre. To that end, I highly recommend that fantasy lovers (whoa. That sounds vaguely pornographic) segregate from mere fiction lovers. The marriage does not work.

Different skill level can cause a breakup also. A lady once told me in the nicest way that she was light years beyond me and needed to find someone closer to her abilities. Yeouch. But she was right. She might help me but I was not helping her. It wasn’t an even trade.

Here are some questions for a potential critique partner:

What genre do you write?

Are you comfortable critiquing in a different genre than you write?

At what stage is your writing?

  • Beginner-no completed manuscripts or agent submissions.
  • Intermediate-several completed novels with extensive research, Unpublished.
  • Advanced – Published, agented, or with a successful E-pub track record.

In comment section of today’s post, I will submit my answers to the above questions and encourage others to do the same.