Clearly, our writing can only get better. I know mine has. But how?
Online Creative Writing
Courses. A quick search of area colleges and universities gave me all I
needed to know about the abundance of credit and non-credit courses. I can show
up in class or take a variety of courses online in my pajamas, if I prefer.
Check your state. Missouri
has an easily navigable website that gives oodles of info.
Adult Ed Classes.
In my county, we have a semi-annual offering of self-help courses at the local
tech school. The classes run from learning to knit or paint and credited
colleges courses to CPR and computers. Within the last couple of years, they
began offering creative writing and how to be published also.
Self-Help books. My list of these books is huge. Starting
with one of my first purchases, The Only Grammar
Book You’ll Ever Need by Susan Thurman. I bought it to learn the basics.
From commas to passive verbs, this was my bible. From there I went onto how to
compose hook sentences, editing, etc. - Hooked – Les Edgerton
- The First Five Pages – Noah Lukeman
- Self-Editing for Fiction Writers – Renni Browne & Dave King
- Writing Tools – Roy Peter Clark (highly recommend this one!)
- The Breakout Novelist – Donald Maass. This book has worksheets that help a writer get in touch with their characters.
- Grammar Girl’s Quick and Dirty Tips for Better Writing – Mignon Fogarty
- On Writing – Stephen King
- Plot & Structure – James Scott Bell
- Conflict, Action, & Suspense – William Noble
- Showing & Telling – Laurie Alberts
- And the one book that I couldn’t live without:
- The Emotion Thesaurus – Angela Ackerman & Becca Puglisi
All of these help to instruct and inform the budding writer.
I find over time that I don’t need some of them like I did at first. But I still use them. It helps to go back and
study On Writing, for instance, and Self-Editing. It’s always good to thumb
through and refresh my memory.
Reading. All the above
suggestions on how to improve your writing is good. Very good. But consider
also reading established authors.
When
I read a passage from a beloved book, I note how it affects me. I end up
dissecting that scene—the words, the phrases—to discover why it leaves me
breathless. Most times, sentence structure, not the storyline, is what makes me
gasp.
Simple
lines in The Two Towers, The Lord of the
Rings trilogy, in the chapter The
Choices of Samwise, speak without excess. In the scene, Sam thought Frodo
was dead, stung by Shelob, a huge spider. He had no desire to continue the
journey, to take the ring to Mount Doom. His world began and ended at his
master’s side. One of his choices? “He looked at the bright point of the
sword.”
A
better definition of show vs tell I cannot think of.
College
courses and How-To books are great. I love Stephen King’s On Writing for example. But reading his novels seems a surer path
to learning. I note things like how he places a scene, when I first bonded with
the character, where he inserts the nouns and verbs. I look at his sentence
structure, how he intersperses long sentences with short ones.
Creative
writing courses are wonderful. I highly recommend them. But don’t forget to
read and dissect established authors’ novels. And watching the people in the
mall.
They
are your real teachers.
3 comments:
I've been told that Blake Snyder's Save the Cat is also an excellent resource. Even though it is for screenwriting, it still boils down to the best ways to tell your story.
I find reading bad books helps, too. They're good examples of what not to do. (Why did this annoy me? What's wrong with this scene? Etc.)
These are great suggestions! I'm a huge fan of the Emotion Thesaurus. It is invaluable. I have a few others, too, but there are a few on you list that I haven't read. I must try them now! Thanks!
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