How I Got My Agent: Gina Denny

The very sweet Gina Denny was kind enough to share her "How I Got My Agent" story. This story was originally posted on her own blog back in February 2015 right after she signed with her agent. You can read her original post HERE. Thank you, Gina!

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Not to give away the ending or anything, but the post sort of sums it all up. If you want the quick and dirty details:

I've officially signed with Kirsten Carleton of Waxman Leavell Literary. 

Pitchwars was involved and she originally contacted me via a PitMad event this past summer. 

That's the short version. 

Here's the long version: 

I started querying my first novel, SNOW FALLING, in the summer of 2013. As I was putting the finishing touches on that novel, I had the idea for what would eventually become SANDS OF IMMORTALITY. When I talked to other people, everyone said, "Write that book instead. That's way better than the Snow White one." 

I queried the Snow story anyway and racked up a whole lot of rejections, as would be expected. I wrote the next book - which is loosely based on Sleeping Beauty - and kept moving forward. I started writing in November of 2013, and in fact this novel was the only time I ever finished NaNoWriMo. 

In the late summer of 2014, I started querying SANDS OF IMMORTALITY. I entered it into some twitter pitch contests, one of which was the #PitMad contest. Kristen requested my work based on this pitch: 

Her mother's cryptic journal. An ancient spell. A prince on the run. Waking Sleeping Beauty was simpler when it was just a dragon


At the time, however, Kirsten worked for an agency that required exclusives. My query was with five other agents, and one already had a full manuscript, so I had to hold off on querying Kirsten.

Then came PitchWars. I entered. I was chosen by Mina Vaughn and we worked on my manuscript. When it was all done, I started querying. I got requests back immediately, so I felt really confident in my work. By this time, Kirsten was working for Waxman Leavell. They didn't require exclusive submissions, so I queried her with the new manuscript. She responded pretty quickly (next day, actually) asking for a partial, and then the next week asking for a full.

Then the holidays started.

And publishing slows to a crawl during the holidays and I sat, staring at an empty inbox for about four weeks.

Let me tell you, THAT was the agonizing part. Having fulls and partials out, knowing that everyone was enjoying time with their families and I wouldn't hear anything for weeks and weeks.

Anyway...

Kirsten emailed me last week, offering representation. We spoke on the phone and it was just easy. I'm not big on phone calls in general, but she had an excellent idea for tweaking my ending a bit. I was exceptionally nervous about this because my ending is definitely not a Happily Ever After, and it's not for everybody. But she doesn't want it to be a Happily Ever After, she just saw a way for it to be bittersweet in a more realistic and powerful way.

That sold me.

She got my book and my reasons for doing it the way I did. She liked the ideas for the whole series and wanted to work with me all the way. I was sold already, but I wanted to do the right thing and make sure I had all the information before I made a permanent decision, so I contacted everyone else who had my work. Two more agents requested fulls (one had a partial already, one only had the query), and I sat and I waited, refreshing my inbox like a crazy person for ten days.

But here we are. Today, I signed the contract and I am officially represented by Kirsten Carleton. I'm so excited to make some changes and to make this book the best book I can produce and eventually work towards putting it on some shelves!

For those who like the stats:

First manuscript:

Queries sent: 70

Requests: 10 (including partials, fulls, and 2 R&Rs that asked for wildly different things)

Months on the query circuit: 15

Second manuscript:

Queries sent: 27

Requests: 10 (including partials and fulls)

Months on the query circuit: two, then a break for PitchWars, and then three more, for a total of five. 

Gina Denny is a homeschooling mom to four very noisy boys and part-time band and orchestra director. In both settings, she talks a little too much about Harry Potter. She has a bachelor's degree in business, a master's degree in education, and once stood in line for NSYNC tickets for just over fourteen hours. She loves live music, hiking, overly silly sitcoms, and burritos. She writes fantasy for grown-ups and lives and works in the Phoenix area. Visit Gina's website at ginadenny.blogspot.com and follow her on Twitter at @ginad129.

There's More Than One Way to Get an Agent

Last week Charity gave us an in-depth look at aspects of publishing, marketing, and even how to get that movie out of our heads and onto the paper. It was a week of sharing what she's learned with the rest of us.

Typically, I like to do author interviews, but since I'm in the throes of querying my YA novel right now, I'd like to take this week and share with you what I've learned. Except that my knowledge stems from my place in the publishing process. So, please, bear with me as I try to get these thoughts that have been going through my mind, out into some kind of collective format.

There's no right or wrong way to get an agent.

1) Querying-

Sure, it may be a little harder to stand out in the slush pile, but querying is one of the most common outlets writers use to get the attention of an agent. And many bestselling authors found their agents through the good old-fashioned time-honored tradition of the query trail. And lucky for you, our very own Huntress gives stellar query critiques when she hosts, so be sure to swing by on occasion.

So, if you're trudging along and aren't sure who to query next, here are some great sites to help you find agents to query:

Agent Query

Query Tracker

Writer's Digest

New literary agents are always a hot commodity because they are actively seeking to build their client list. If you are interested in staying informed of new literary agents, Writer's Digest does a great job of spotlighting these agents. Check the Writer's Digest website periodically or subscribe to their newsletter for updates.

2) Contests-

I didn't realize until recently how many online contests there are for writers. Everything from twitter contests to pitching contests, there are many ways to get your work in front of an agent. The key is to perfect your pitch, logline, query, and first 250 words of your manuscript because typically the contests will want one or more of these things.

Here are some great contests that provide wonderful opportunities for writers:

Baker's Dozen: Every year Miss Snark's First Victim hosts the Baker's Dozen where writers send in their logline and first 250 words. Those entries chosen will appear on her website where agents have the opportunity to "bid" on their favorites and request pages. Sounds fun, right? I mean, who wouldn't want a group of agents fighting over their work?


Nightmare on Query Street: Each year in October, bloggers SC, Michael, and Michelle have an online contest. Writers send in their query and first 250. Those chosen to be on the teams will be posted on the blogs where selected agents can make requests. Visit Michelle's blog for more info.

Pitch Wars: Each year Brenda Drake hosts Pitch Wars. "Pitch Wars is a contest where published/agented authors, editors, or industry interns choose one writer each, read their entire manuscript, and offer suggestions to shine it up for agents. The mentors also critique the writer’s pitch to get it ready for the agent round." Stay tuned to Brenda's blog for info on the next Pitch Wars contest.

#PitMad: #PitMad is a pitch party on Twitter where writers tweet a 140 character pitch for their completed manuscripts. For rules and more details, please visit Brenda Drake's website.

Here are the dates for their upcoming quarterly #PitMad events:

September 9, 2014

December 4, 2014

March 11, 2015

June 4, 2015

September 10, 2015

December 4, 2015

#PitMad starts at 8AM and ends at 8PM (EST or EDT, which is New York time).

Query Kombat: Bloggers SC, Michael, and Michelle have teamed up to bring you a Query Kombat tournament. It sounds like fun! Here is the info from last year's Query Kombat held in May. You may want to check the website periodically for info on next year's contest. 

"Query Kombat will host 64 kombatants in a single-elimination, tournament style query-off. Entries will go head to head (one on one) with one another until only ONE entry remains. There will be a total of six rounds in Query Kombat. 64 entries in round one, 32 in round two, 16 in round three, 8 in round four, 4 in round five, and 2 in round six."

3) Conferences-

Let's face it, if you're serious about getting published, you should attend writer's conferences. Some can be as lengthy as several days, while others might be a one-day workshop. Whatever you choose, just make sure you get the most out of it as you can. Does it offer agent pitches? Query critiques? Manuscript critiques? After you register for your conference, check the submissions deadline so you don't miss out on other important classes or critiques offered.

And another bonus is that the agents who attend the conference will give you special instructions on how to submit to them. Your query may even be pushed to the front of their reading pile just because the subject line of your email mentions the conference.

I went to my first SCBWI Carolinas conference in September and it was awesome. I mean, what is better than meeting a whole bunch of people who are as obsessed with writing as you are? And I got to chat with the amazingly talented Carrie Ryan (NYT Bestselling author of the YA novel, Forest of Hands and Teeth, who I hope to interview in the coming months. *keeping fingers crossed*)

Here I am pictured with other fabulous women I met at the conference.

But one of the best parts about writer's conferences is the opportunity to meet and mingle with agents. If you can get up the nerve (and I highly recommend that you do), a conference is a great place to casually pitch to agents.

Now, I don't recommend going up to an agent and immediately plowing into your pitch. Instead, try starting up a conversation, maybe ask a question or two. If they're interested, they will ask what you're working on. THEN you can dive into your pitch, but make sure it doesn't come off as so-rehearsed that you sound robotic. And if you're super nervous about talking to an agent, the lovely Christa Heschke has some awesome advice on her website that really helped ease my fears.

So, in a nutshell, don't think you're limited to querying alone. There are many opportunities for writers trying to find an agent. You just have to find the right one. Good luck!

Questions for our readers: Agented authors-how did you get your agent? Any contests I missed?