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Monday, August 4, 2014

Marabella - First Chapter, part I

This week I am continuing the critique of Marabella - Discovering Magics, first chapter.
Part I of three:

ONE
Festival
The bustling village of Helfin heaved and overflowed with the multitudes of visitors jamming its narrow muddy streets.  In addition to the usual market-day crowds, throngs of peasants, farmers, and their families, and mountain folk and their families tramped into town for Festival.  Festival had no set certain date in this unimportant speck on the map. *er, what? Read that sentence again please* But every fall, after harvest and before the winter cold set in, crowds would gather for days in excited anticipation of the arrival of the traveling clan of Demalions who brought Festival with them whenever they came.  Children lined the road on the outskirts of town each day, eager to be the first to see the brightly painted wagons as they rattled and bumped into view.  Every boy and girl knew that each wagon carried some wonder or mystery or entertainment.  Word had come days ago that Festival had ended in Sellwood, in the next valley east of Helfin.  All knew the Demalions were on their way.
Lots of descriptions in that first paragraph. Remember, it is difficult for the brain to wade through so many pictures. Cut back and I think you will find it easier. I used the strikethrough option to show where you can cut.
            The Demalions were an interesting people.  They *Why did I strikethrough this? Because you need to Show me the Demalions are interesting not Tell me* traveled from town to town entertaining and trading their wares*period* of their craftsmen But they were said to possess other skills as well.  *now why did I shorten that sentence and begin another? To increase drama and also to give your words a bit of poetic lilt. Pick a song that has a good beat to the lyrics for an example. I like What Was I Thinkin’ by Deirks Bentley. Video is at the end* The Demalions were rumored to have the gift of the magics, a cause for fear and mistrust among those Common-folk who neither used nor understood the magics. *would that make them belligerent then? Would the common folk want them to come to town?*  And while they traveled the whole of the Common Valley, they only resided in numbers in a few places. The remote towns, one in the mountains and one near the sea, were where they spent the off seasons. Westwytch, near the Pelagos Sea and Blackwytch to the east in the Black Woods were both outside the Common Valley. While traveling, the Demalions usually camped for a couple of days between towns. Days had passed since they had exited Sellwood.
An excellent setup for the rest of the chapter. You introduced us to the Demalions without too much description or backstory. Plus you threw in a little conflict also. What has kept the Demalions from arriving? I would get to this point earlier, maybe even the first sentence. “The Demalions were late and no one knew why.”
            Sellwood was considerably larger with more commerce than Helfin, and year round river access.  Smaller and more rural, Helfin only had access to the nearby ferry for part of the year.  When the spring rains came and the river swelled, it became too high and fast for access to the banks near Helfin.  But by summer and fall when crops began to flourish and harvesting began, Helfin was ready and able to use the river ferry once again to get cargo up and across to Riverton, the large trading town on the south bank.  *okay, now you are losing me. My attention is wandering. Stop with the background noise and bring on some action*The swirling, chilly waters had claimed more than a few who tried to cross after the spring rains began. Nearly seven years prior, the rains had come early, in late winter, and the last ferry of the season had tragically been splintered and broken on the rocks downstream.  Many bodies were eventually found, many were not. Whole families were lost. Only two survived, an old man named Broxton who died a moon cycle later of pneumonia and a boy, Wesley, just five years old.  Some thought the boy was not quite “right” after the accident.  *If this information isn’t absolutely necessary, cut it from this chapter and add it later on. It gums up the story. Way too slow for the first chapter when you need to capture then hold the interest of the reader* *Update: I see this is important later on but I think it needs edited for clarity and to increase the drama. Example: Nearly seven years prior, the rains came early. The last ferry of the season had splintered and broken on the rocks downstream.  Many of the bodies were found, many were not with whole families lost. Only two had survived. An old man, who died a moon cycle later of pneumonia and a boy, Wesley, just five years old.  Some thought the boy was not quite “right” after the accident.

            The people in the streets pushed and prodded their animals, wheeled carts and wares and listened for word of the approaching wagons. *a little bit clunky. Try re-wording* Merchants scrambled for places in the crowded market square as they prepared to set up shop.  Competition was fierce but Festival always increased the weight of every merchant’s purse*excellent use of arcane or local vernacular. Good job* Farmers and mountain-folk brought all sorts of fruits, vegetables, and farm animals. Hunters hauled in stacks of furs, skins, and leathers. *note the addition of commas*Tradesmen transported *note alliteration* everything from furniture to fabric and rugs, pottery and poetry to town for trading. *note additional alliterations* Makeshift kitchens were set up to prepared pies and breads, roasted vegetables and meats and an array of home-cooked foods. Anyone who had anything to sell could make a profit at Festival. 
Again I would shorten some of these sentence for drama and to make it flow. Example: Hunters, with stacks of fur and leathers. Tradesmen and their furniture, fabric, rugs, and pottery.   
             The sound of women's laughter and the odor of scented oils wafted through the air of Narrow Alley, known for its Ladies of the Red Sash. The wide Red Sash worn round the waist indicated that these ladies were open for business to sell their time, and their bodies.  The low mud-brick buildings that lined the street Narrow Alley were made up of rooms connected together so Narrow Alley and resembled a hallway of doors.  It was here in one of the smallest, darkest rooms a woman sat by the embers of a cooking fire combing her thick, dark hair.  She too was preparing her wares for Festival. *ah. Action*
            Once Mara had been a stunning beauty with fiery dark eyes and full red lips that needed no decoration.  Though only a farm girl from the village of Melilotus, she carried herself like a lady.  She was bright and witty.  She even knew how to read and do sums. *telling, not showing* Mara left her poor farmer parents and five sisters to seek adventure and employment.  But Mara became a victim of her own beauty.  The adventure she sought never took her further than this dark street.  The harshness of her life for the past decade had stolen the fire from her eyes and the adventure from her soul.  The cruelty of some of her past patrons had marred her beauty with scars and fear.  She brushed her hair in such a way as to hide the scar that ran in front of her ear and into her hairline.  *an example of Showing :)* She smoothed out the faded dress with the low neckline, and tightened the red sash to show off her still small waist and her firm round butt.  “They always like the view from the rear” she said to the room with a sad bitter smile.
            The small sparse room contained a table with two chairs and a shelf by the hearth, which held cooking utensils, a meager supply of food, a plain wooden box and two worn pairs of shoes.  On a peg by the door a green shawl hung over an old leather saddlebag.  *stop with the descriptions. Too much* A half empty bucket of clean water was nestled close to the fire to warm for cooking and bathing.  A smaller bucket by the door was draped with the remains of an old leather apron and served as a toilet. *eww* On the other side of the door a tiny window with a thread-bear pink curtain filtered indirect sunlight and offered some semblance of ventilation to the room.  At the other end of the room hung a worn brown curtain from the ceiling to the hard dirt floor.  Behind it a straw-filled mattress and blankets served as sleeping quarters and place of business.  Out from behind the curtain popped a dark tousled head, “Mama, you’ve waked the baby.”  The child scolded. 
I feel drowned in description again. Give the reader a color, object, scent, or sound to nail them to the scene then back off and get back to Action. Otherwise, the eye tends to wander.
            “Oh Marabella, I am sorry, I guess I forgot about you two for a moment”.  As the child walked into the gloom, the fire seemed to brighten and the room glowed with her countenance. *this word seems out of place with the arcane language* Her eyes shown like two fiery emeralds as she looked into the embers.  “We must stoke the fire so your friends can see how pretty you look.  Tonight will be a good night?” she questioned.*who is speaking? I’m confused*
            “Yes Marabella, tonight will be a good night.”  Mara smiled at her daughter.  “And tomorrow we will shop at the market square and get fresh tomatoes and apples and maybe even some sweet bread, if you're good.”
            “I’ll be good Mama, *quotation marks* the moon-faced child beamed.  “I’ll take the baby to Ma Nan’s and I’ll come when it’s time for you to wake up.” Mara smiled at her daughter, wiping a smudge from the child's cheek.  She changed the baby's wrappings and moved the heavy bar from the door.   Tears glistened in Mara’s dark eyes as she watched the six-year -old *note dashes* help the tottering baby down the narrow street, lifting the chubby cherub over puddles and dancing around, singing as they went.  *lots of verbs here. Cut back and lose the alliteration also*
            In the failing light, the children puddle jumped down the back streets, as shouts and cries could be heard from the main ways.  “They’re here, the wagons are here!”  The faint sound of music was barely audible *‘faint sound’ and ‘barely audible’ mean the same thing. This is called an echo. Cut one or the other* over the shouts of the crowds.  “The Demalions have arrived!” a boy bellowed as he ran past toward the square.  Festival had begun. 
            “Marabella, come on in here.  The street is no place for children on the first night of Festival, or any NIGHT *I would not capitalize this* of Festival for that matter,*cut the comma and insert a period*” The sturdy, plump woman scooped up the baby as the children came through the gate.  The two big, black dogs, usually so ferocious, whined and nudged at the little girl.
            “I want to stay out and play with the dogs for a while comma” Marabella said.
            “Out of the question.  No, you’d be out in the streets in a minute. I won’t hear of it,” Ma Nan stomped her foot on the porch *why did I strikeout this phrase? Because she had to stomp her foot on something. No need to tell us it was the porch* and tried to scowled to hide a grin.  “Come in and have some stew that I’ve made.”  The woman knew better than to look directly at the child because once faced with those enchanting eyes, it was almost impossible to deny Marabella anything.  “Get in here.” She held the door. 
            Marabella gave the huge dogs each a final pat and obediently followed the woman into the bright kitchen.  The dwindling sunlight shone through the front window, firelight danced in the cooking hearth and lamps lit the corners of the room.  She liked the musty smell of dried meat and herbs that permeated the dwelling.  In contrast to her own meager room, Ma Nan and her husband Henry had a real house built from rough-hewn cedar and quarry stone (not just smooth river rocks like many in Helfin).*I would not use parenthesis in a novel. Use commas or emdash* It was five rooms with a pantry and a washroom.  Henry had even built a wooden walkway from the back steps off the washroom to the privy.  There were two rooms for sleeping with real beds off the floor *I like this. It gives me an idea of living conditions.  And what is valued in this world. Good job* and a large great room with a big hearth that kept the whole house warm.  In every room comma there were shelves with pottery and books, and hanging from a rope strung around the ceiling hung herbs drying.  Marabella’s favorite room was the kitchen.  By the door hung the coat and blood stained apron worn daily by the butcher.  In the corner was a low table with a large basin and water pitcher.  A window with glass and cheery yellow curtains overlooked Ma Nan’s little herb garden in the front of the house.  On the other wall was a cooking hearth, which actually that peeked through to the larger hearth in the corner of the great room.  Marabella was amazed at the invention and how the real wood floors fit perfectly up against the twin hearths*I would re-word that sentence. A bit clunky* Henry explained that his brother had actually *don’t use this word* been a stonemason and had helped Henry build the house many years ago. The room was warm and inviting.  There was always something delicious in the larder or in the cooking pot. 
            Henry was a quiet man who enjoyed reading by the fire when he wasn’t working in his meat shop or smokehouse.  He was large and barrel-chested with an easy smile. His thinning brown hair was flecked with gray and his clear blue eyes sparkled every time he looked at his wife.  He and Nan enjoyed the children, as they no longer had any of their own, and they pitied them and their mother.
            Mara sometimes helped Nan when she had extra work to do cutting and preparing the meat for the smokehouse.  Henry, the butcher and his wife were not rich but they had a thriving business in Helfin.  He was known for his honesty in trading and was never too busy to help a neighbor.  Nan, known as Ma Nan by everyone, often worked by his side but was well known in the area as a midwife, herbalist, and healer. She often watched over Mara’s children when Mara had to work in her “profession.”  She enjoyed spending time with the youngsters as her young son had been lost in the ferry accident almost seven years before, and the only child left in her family was her odd nephew Wesley.
You are creating a fine world but too much backstory makes the reader’s eye skip. Not to say I don’t love it but maybe find a place or two to cut. It will increase the pace.
            Ma Nan scooped bowls of the steaming stew for the children.  She was a wonderful cook,*telling not showing* known also for her puffy meat pies that she sold at Festival each year.  Marabella liked her stew best of all.  Nan dipped a crust of hard bread into a cup of goat milk and handed it to the baby while the bowl cooled.  “Hot” she warned Marabella with a nod toward her bowl.  Marabella grinned from the corner where she made sure Ma Nan saw that she was washing up in the basin before eating*clunky. Not sure it’s needed* Nan smiled her approval.  “There’s some cheese if you like” Nan announced absently as she fed a spoonful of stew to the baby.
You’ve introduced a most excellent array of colors and smells. Thumbs up.
            Marabella went into the pantry to the large stone crock sitting on the floor.  Lifting the wooden lid from the crockcomma she retrieved a piece of goat cheese wrapped in cloth.  The smell was strong as she leaned over the crock that kept the cheese cool. Carefully replacing the wooden lid, she carried it back to the table and placed it on the cheese board.  “This cheese smells different from the last batch.  Did Wesley bring it by?”  Marabella inquired as she popped a crumb into her mouth.
            “You have a good nose, little one” Henry spoke from the corner where he washed up in the basin.  “Wesley brought that by yesterday.  He said the nanny just had two kids and I should bring you by the next time I go out to the farm.  Would you like that?” 

            Marabella bounced in her chair and exclaimed through a mouthful of potato, “Oh mmm huhm, pweese.” She swallowed her food and took a gulp of her milk.  “We can’t go tomorrow because mother and I are going to the market.  She said tonight will be a good night.”  The adults exchanged slightly embarrassed looks. *what does ‘embarrassed’ look like?* They both cared for Mara and often wished she could find work other than wearing the Red Sash.*telling not showing. You must show this. It’s a little tricky staying in Marabella’s head but here is an example: She looked up and saw the adults exchange a tight-lipped glance. Ma Nan’s cheeks were a curious shade of pink.
Part Two tomorrow.

Here is Dierks Bentley video. Note how synchronized the beat and the lyrics are to each other. Try this in your narratives:


Friday, August 1, 2014

Shrouded Goddess

I've got one last critique for you all this week, a first page from an NA/YA Fantasy:
 
CHAPTER 1

Sophie

I sneak out of my bedroom as soon as the hallway empties. Harp notes and laughter drift in the air from the night festivities downstairs. But that is not where I’m headed. (I had to think about why I didn't like this sentence. It's because it merely serves as a lead in for the information that follows. I think there's a better way.) Mingling with the drunken nobility without my grandmother’s protection will only get me married by morning. (That fast?)
Candlelight frames the door of her (I might name 'her' here, either as my grandmother or her given name.) chamber, and I squeeze through the narrow opening to avoid announcing my presence with creaking hinges. Eyes closed and ocher hands folded over her chest, Aryeea seems at peace. Her dark hair is still as black as mine. Tribal blood pumps strong in our veins, no matter what we do to hide our descent.
As she lies, resting on a bed brought by my grandfather from across the sea, I can almost believe Aryeea is dead. I’ve always known she wouldn’t live forever, but the thought of not seeing her again isn’t comforting. (why would it be?) I’ll even miss the snapped orders she flings at me all day long.
“Sophia, stop viewing me. I’m not dead yet.” Her bark wakes me from my reverie.
I straighten my back so she won’t sense my relief. “I thought you moved on without saying goodbye.” (here the narrator is suggesting she did think Aryeea was dead but previously the narrator could almost believe that she is dead.)
“I will, but not yet.” Aryeea sits, adjusting the feather pillows I embroidered for her against the headboard. “And when I do, make sure you bury my wedding braid with me. Your grandfather might need a reminder when we meet on the other side.” With shaky fingers, she straightens her loose hair. “And your uncle won’t even think of it when the time comes. The Barony is all he cares about.”
***
My first thought is that Sophia's reactions to her grandmother are a bit confusing. If her grandmother is on her deathbed (which it appears is the case) then I would think Sophia would be more worried about Areeya's passing. My second that is that there's nothing here to connect me to Sophia. She isn't interested in whatever festivities are happening below, believing that mingling with the 'drunken nobility' will only get her married by morning which seems a bit much. Even assuming she did mingle and was forced into marriage I would think a marriage would take longer to put together - especially if she's related to the Baron. I wonder if the threat of an impending marriage might add a little oomph to this first page. Not necessarily that Sophia IS going to marry someone soon but that someone will be chosen for her soon. That way her grandmother could become more of an ally and her passing would be more of a loss, giving Sophia more to worry about than just one or the other. It would also make sense then for Sophia to seek out her grandmother when there's a party going on downstairs when in reality, most young girls would be dying to go, or at least watch , rather than go visit with Granny.
Readers, what do you think of this first page? Any helpful suggestions or comments?
 
 


Thursday, July 31, 2014

Marabella - Discovering Magics (part 3)

This is the third and final installment of the prologue to MARABELLA - DISCOVERING MAGICS, along with my critique. To sum up, in the first part Geremiah has just given his young son a gift to hold on to and keep safe, they're on a ferry, and there's a storm brewing. In part two the storm gets worse, and one of the ropes breaks. Geremiah empties a barrel of its contents...




“Wesley” was all Anton said.  Geremiah grabbed for the child as the ferry rocked and spun out of control.  Still clutching the saddlebag, Wesley stared bewildered into the big man’s kind face.  Geremiah slipped his knife into the bag Wesley held and lifted the tiny boy into the barrel.  Anton yelled over the din of screams and cries of the passengers scrambling to cling to the out of control ferry, “Don’t fear my son.  Be brave.” Together the men pounded the lid back on the barrel.  “Always take care of your mother” Anton continued.  “Don’t be afraid!”  Steadying themselves and pausing for just the right moment, Anton and Geremiah heaved the barrel with tremendous force toward the north shore.   Geremiah held his hand aloft as if willing the barrel toward the land. “Drifan.” His whisper was lost in the gale.  The tiny barrel and its precious contents sailed northward over the turbulent waves.
The current smacked the ferry again and a torrent of icy water washed over, (I forget what the rule is but I know you need a comma before the majority of these types of sentences – any readers out there who know this grammar rule?) taking several more passengers with it.  Anton made a grab for Broxton but the old man’s arm slid through his wet hands and he was dragged over the side.  “The rocks!” someone shouted.  Geremiah grasped Benji around the waist just as the ferry was jolted, smashing into the first of the boulders jutting from the frigid swells. Geremiah’s broad back crashed through the railing and both went over into the cold gray surge.  The remnants of the ferry spun again exploding into splinters on the rocks.   
Shouts of alarm sounded on the shore but already little was left, save debris swirling in the current and drifting toward the land; a plank of wood, a straw hat with pink ribbons, a small flour barrel bouncing off the rocks along the bank and several lifeless bodies. 
            This tragedy would hang over the village for many years.  But life went on and the seasons turned and turned and turned again. (I’d consider losing these two last sentences. The prologue reads stronger without them and that last image: “…a small flour barrel bouncing off the rocks along the bank and several lifeless bodies.” is far more powerful than a banal comment about how life goes on the seasons pass, don’t you think?)
***

My first thought is that this is a pretty darn good beginning. There are a number of elements within this prologue that could be expanded upon in the first chapter. The boy, Wesley, the gift for his mother he's supposed to keep safe, another survivor perhaps...that's the fun of prologues. How do they tie in to the rest of the story? That said, I’d suggest thinking long and hard about whether this information – the tragedy – can be imparted elsewhere, because prologues can be a very difficult sell to agents and editors. I happen to like a good prologue, but I think I’m in the minority. Anyway. If you decide to keep it, I would suggest remaining a more distant narrator and lose the description of Geremiah; it isn’t important to know whether he’s good looking. What’s important is what’s happening: the ferry is going to go down and Geremiah has to save his son and the gift – a ring – to “my lady, Mara.” The other option is to see if the information about the tragedy can be imparted another way, either through dialogue,  a history lesson, research, family tales, dreams...whatever. The important thing is that if you're going to have a prologue, you have to make it indispensable to the story.


Readers, what do you think?


Oh! To see more of this story, come back on Monday when CD will be critiquing the first chapter. I know I'll be here!
 

Wednesday, July 30, 2014

Marabella - Discovering Magics (part 2)


This is the second installment of the prologue to MARABELLA - DISCOVERING MAGICS, along with my critique. Read the first part here. To sum up, Geremiah has just given his young son a gift to hold on to and keep safe, they're on a ferry, and there's a storm brewing...


 Anton guided the boys to Broxton, an elderly tailor from the village.  He looked again to the north shore.  The ferry was creeping along at a snail’s pace.  The wind seemed to (either it did bear down or it didn’t – I’m guilty of this one, too…) bear down, pulling and grasping at the boxy craft.  The current pounded the creaking wood and the blackening sky looked as if it might open up at any moment with a deluge.  Geremiah and another man were already tossing bags of seed into the now raging river.  “Better my seed-corn than my family” grunted the farmer glancing back at his worried wife and two young daughters. He had to shout over the roar of the ever increasing gale. The huddled passengers were mostly silent except for murmurs of concern and a few fitful children.  They all tried to ignore the chilly water washing over their feet when the waves broke over the sides.  Now near the middle of the river, the current beat the ferry and it shook more violently as it inched along. (This is good, too, lots of active verbs like pounded, roar, broke, beat, shook.)
Anton helped Geremiah as he strained against a large beer barrel.  (Don't forget to get rid of these extra spaces between sentences.) A stonemason by trade, Anton was tall and lean with corded muscular arms. His seemingly thin frame hid great strength.   Putting their backs against it, the two shoved the huge barrel overboard.  The rain began coming down in fat frigid drops but they continued, throwing barrels of whiskey and flour.  The storm gained momentum. The wind howled like an angry beast attacking its prey.  The gray waters pummeled the ferry.  The terrified passengers clung to one another and clutched their belongings as if to protect them from the river's icy grasp.
            Suddenly, the ropes propelling the ferry along groaned against the pull of the chilly waters and snapped, taking one of the ferrymen with them into the swirling current. His body was sucked under the turbulent waters before he could cry out.  The ferry bobbed dangerously and began to spin downriver. Women and children began to scream as water poured over the side.  The timbers holding the rope mechanism splintered and ripped free, falling into the water dragging with it, the farmer and his entire family. His yellow-haired daughters were both entangled in the thick ropes still clutching their new straw hats with pink ribbons.  Amid the chaos, Geremiah pried the lid off of a small flour barrel with his hunting knife and quickly dumped its’ contents.  A knowing look passed between the two friends. (Excellent - great compelling description of this unfolding disaster with more active verbs. Nice!)
           ***

Readers, your thoughts? 
Tomorrow I will have the third and final installment of this prologue, along with my final comments. 

Tuesday, July 29, 2014

Marabella - Discovering Magics

Hallelujah! Someone finally sent me something to critique, and not just a first chapter, a prologue, too! So, without further ado, here is the prologue to MARABELLA _ DISCOVERING MAGICS:


TRAGEDY 

            The clouds hung low and ominous in the East.  Dark and angry, a grim line pushed its way closer and closer, threatening violence. As the first faint rumble of thunder was heard, two strong men helped the last farmer board the overloaded ferry.  “This doesn’t look good,” commented Geremiah as he surveyed the choppy waves on the river.
            His companion eyed the sky. “Aye.” Said Anton.  “The wind is already picking up.”  (I would start a new paragraph here)The ferry was a simple craft of thick, sturdy wood planks sealed all around with pitch.  It was a long box sitting atop the water.  There was a pulley mechanism midway of the ferry where a rope, thick as a man's arm, wound around and was pulled by the ferrymen to propel the boat along from shore to shore.   
            Geremiah helped the ferrymen push off from the dock, then stood facing the cold spray coming off the water. River and sky were both the same flat gray color.  He adjusted the saddlebag on his shoulder.  He was a big man clad in the heavy boots and leather breeches of a woodsman.  His thick coat was fastened against late winters’ chill and stretched tight across his broad shoulders. Despite his rough attire, Geremiah was exceptionally handsome.(this seems an odd statement, only because, lots of rough looking guys are handsome…just sayin…) A close- cropped beard covered his strong jaw and squared chin.  His shaggy chestnut hair reached just below his upturned collar. He had a very expressive mouth (usually prone to smiling) and captivating green eyes.   Today there was no smile.   (too many spaces after the period. One space is standard) He chewed his bottom lip, staring anxiously over the waves. (I’m not sure about this description. It feels off, and very cliché. I wonder if it might be better to give us one or two attributes and let our imagination do the rest. In fact, you could just go with the first 5 sentences. Just a thought...)
            The rope creaked and the ferry shuddered as the force of the river’s current buffeted the craft.  They were hanging low in the water due to all the extra weight of passengers and cargo trying to make the last ferry of the season. Most days it carried ten to fifteen men and their cargo, sometimes as much as twenty-five. Today there were forty souls, counting children and cargo aplenty.  Anton saw the tension in Geremiah’s clenched jaw.(I’m beginning to think this little ferry ride isn’t going to end well. Great foreboding atmosphere/description.)   
            The clouds moved in and the sky darkened. Flashes of lightening illuminated the swirling clouds and the rumbling increased.  The ferry shuddered again.  (I think you need to start a new paragraph here at the beginning of this dialogue - any dialogue really.)“We’re too heavy.” Anton’s voice was filled with dread.  He clutched his tiny son Wesley, barely five seasons old, and his nephew Benji tightly to his sides, his eyes glued on the north shore, so far away.  The distance, an easy stroll on land, seemed a mighty journey across the menacing waves. (another nice description)
            Geremiah laid a hand on Anton’s shoulder.  “We’ve got to lighten this load.”  Kneeling down, he faced skinny little Wesley and handed him his saddlebag.  “Hold tight to this for me, little man.  I’ve something very special in there to give my lady, Mara.”
            Wesley smiled and reached for the bag.  “The ring?” he whispered, leaning toward his father’s friend. 
            “Yes, the ring, very important.  I’m trusting you with this solemn task. Hold tight,” He touched the bag. “to my most precious things.”  The big man stared into the child’s eyes, then winked and smiled with his crooked grin. 
                        “I promise.” The boy smiled back, hugging the bag.

***

Readers, what do you think of the first part of this prologue? Any comments or suggestions?

Monday, July 28, 2014

Book I can't forget

Do you ever think about certain books long after you've read them? I'm sure you do; I think everyone who loves books has a few they continue to admire. Here are few of books I continue to think about:


The Hunger Games; specifically, the way Collins had me thinking I knew who Katniss was going to choose in the end (when really, I should've guessed) and the end when the cat shows up again. That about did me in. I wasn't expecting to love this series after all the hype, but I did.


The Night Circus; this is one of the most beautifully written books I've ever read and I am so envious of the magical way the author managed to convey the extraordinary. If I could write like this...*sigh*


White Cat; What a fabulous concept: Curse Workers! I grabbed it on a whim out of my library, expecting to maybe like the book, and I ended up adoring it to pieces. Cassel is one of my most favorite characters (reminds me a little of Artemis Fowl grown up) and I loved his plan to con the conmen ;)


The Graveyard Book; God, I loved this book and I hated that it ended. I wanted another chapter or ten, or better yet, a whole new book about Bod and his graveyard friends.


The Commonwealth Saga: Pandora's Star and Judas Unchained; because I love scifi and this is one I've read more than a few times. It's almost like LOTR. Every so often I need to go on a grand adventure and sometimes the far flung future is exactly where I want to go.
 


What books do you keep thinking about?

Sunday, July 27, 2014

This week at UB...

This week I would love to critique someone's first page or first chapter. Get it to me fast here: marcy@tidewater.net. If I don't receive any submissions then this week will be a surprise...maybe I'll talk about some books I've read that I loved, or something I've learned, or...I don't know, the cool moth I saw on my porch (and yes, I did take a picture). Regardless, I'll have something for you tomorrow. Enjoy your Sunday :)


Friday, July 25, 2014

Author Interview—Ilima Todd

So excited to have author Ilima Todd with us today! Ilima's debut novel, Remake, will hit stores October 14th. Here's a little more about Ilima and her amazing novel...


Author Bio:

Ilima Todd was born and raised on the north shore of Oahu and currently resides in the Rocky Mountains. She never wanted to be a writer even though she loves books and reading. She earned a degree in physics instead. But the characters in her head refused to be ignored, and now she spends her time writing science fiction for teens. When she is not writing, Ilima loves to spend time with her husband and four children.

Book blurb:

Imagine a future without family...

Nine is the ninth female born in her batch of ten females and ten males. By design, her life in Freedom Province is without complications or consequences. However, such freedom comes with a price. The Prime Maker is determined to keep that price a secret from the new batches of citizens that are born, nurtured, and raised androgynously.

But Nine isn't like every other batcher. She harbors indecision and worries about her upcoming Remake Day—her seventeenth birthday, the age when batchers fly to the Remake facility and have the freedom to choose who and what they'll be.

When Nine discovers the truth about life outside of Freedom Province, including the secret plan of the Prime Maker, she is pulled between two worlds and two lives. Her decisions will test her courage, her heart, and her beliefs. Who can she trust? Who does she love? And most importantly, who will she decide to be?

Find Remake on Goodreads here.
Pre-order Remake here.

*****

I absolutely love the premise for Remake. Can you tell us what inspired the novel?


My family means a lot to me, and I wanted to write a book about the importance of families and the role they play in our lives. So I basically imagined what the world would be like without them. Nine’s story is about courage and choice and what it means to be free, but at its core it’s really about family.


As a mother of four children, when do you find the time to write?


Good question. It’s an ongoing battle. I homeschool two of my children, so my time is severely lacking. I *try* to write during the day, but to be honest I get most of my writing in late at night when everyone is asleep. Diet coke is my friend.


What has been the most surprising thing about publishing your book?

The publishing industry is sloooow. Very slow. Writers must be extremely patient people. Either that or completely bullheaded. :) One nice surprise, though, is how supportive the writing community is. Writers are always willing to help each other out and lend support where needed, no matter where you are in the publishing journey.


What authors/books have most influenced your writing?


I had to read A Wrinkle In Time in the fourth grade and was blown away that a book—for a school assignment no less—could be so cool. That book started my love of reading, but it wasn’t until I read a certain sparkly vampire series *ducks tomatoes* that I considered giving writing a try. I thought…if that stay-at-home mommy writer can do it, why not me?


What is one thing most people don’t know about you?

I can sing the ABC song backwards like a boss.


If your house was burning down, what would you take and why? (other than your family)

My laptop, of course. I couldn’t bear it if my fictional characters perished in flames. :)


If a genie granted you three wishes, what would they be? (And no, you can’t ask for more wishes)

Ha. That I could eat all I want and not gain a pound. That I could write a book and get it right that first draft. And that I could become invisible at will…can you say running around naked without a care? Lol.


What is your biggest pet peeve?

Fake people. I wear my emotions on my sleeve. If I’m sad or happy or upset…you know it. Not that I think it’s okay to be rude or mean. Being kind and considerate is wonderful, and I expect most of us to behave as such most of the time. But the whole fake-overly-cheery thing people do that is completely not genuine? *shudders*


Thank you, Ilima! It was so great having you on Unicorn Bell today. Can't wait until Remake comes out! 

Wednesday, July 23, 2014

Author Interview—Liesl Shurtliff

Today we have author Liesl Shurtliff with us to talk about her middle-grade novel, Rump: The True Story of Rumpelstiltskin. But first, let's learn a little bit more about Liesl and the premise of her award-winning novel.



About the Author:

Liesl Shurtliff was born and raised in Salt Lake City, Utah, with the mountains for her playground. Just like Rump, Liesl was shy about her name, growing up. Not only did it rhyme with weasel, she could never find it on any of those personalized key chains in gift shops. But over the years she’s grown to love having an unusual name—and today she wouldn’t change it for the world!

Before she became a writer, Liesl graduated from Brigham Young University with a degree in music, dance, and theater. She now lives in Chicago with her husband and three young children, where she still dreams of the mountains.

In a magical kingdom where your name is your destiny, 12-year-old Rump is the butt of everyone’s joke.
Rump has never known his full name—his mother died before she could tell him. So all his life he’s been teased for his half-a-name. But when he finds an old spinning wheel, his luck seems to change. For Rump discovers he can spin straw into gold. Magical gold.

His best friend Red warns him that magic is dangerous—and she’s right! That gold is worth its weight in trouble. And with each thread he spins, Rump weaves himself deeper into a curse.

There’s only one way to break the spell: Rump must go on a quest to find his true name, along the way defending himself against pixies, trolls, poison apples, and one beautiful but vile-mannered queen. The odds aren’t great for a small boy in a land full of fairytale bullies, but with courage and friendship—and a cheeky sense of humor—Rump just might triumph in the end.



******


My boys loved Rump. What was your inspiration for the book?

Yay! I’m so glad they loved it.

Fairytales and names were my primary inspirations for Rump. I was actually brainstorming another fairytale idea when I thought it would be cool to create a world where a name determines your destiny. I instantly thought of Rumpelstiltskin, since his name is key to the tale, but it’s also very mysterious. We know almost nothing about Rumpelstiltskin, and even though he ultimately rescues the miller’s daughter, he is the villain because he wanted her baby. So I suppose my biggest inspiration was my desire to do justice to Rumpelstiltskin. Things really took off when I decided to call him Rump.


Do you outline or “fly by the seat of your pants”?

I do a little of both. I do a fair amount of pre-writing, which I think is quite different from outlining. I develop a few main characters, sketch their strengths, weaknesses, and their motivations that will influence the forward movement of the story. I spend some time developing the fantasy world, topography, creatures, and the rules of magic. Fleshing out some of these details helps me begin.

As far as plot goes, I usually have a vague idea of beginning, middle, and end, but most of it I can’t plan or even know until I’m there in the moment, so I just have to go off into the wild and discover a lot along the way. It can be a little unnerving, but as E.L. Doctorow said, “You never see further than your headlights, but you can make the whole trip that way.”


What are you currently working on?

I’m currently working on the third fairytale in this series, RED: The True Story of Red Riding Hood, which features the same Red in RUMP. I’m nearly done with a first draft and I’m so, so excited about this one. I had a few false starts and failures with her story, but once I found the right thread it came together almost faster than I could write.


What bit of advice can you give to aspiring authors?

Craft is key. There’s simply no substitute for a solid story and great writing and the bulk of your time is best spent on honing your craft. At the same time, there’s a business side to all this that can’t be ignored, and sometimes the difference between failure and success isn’t about talent, but simply industry knowledge. If publishing and selling your work to an audience is your goal, spend some time researching the industry. It’s a very quirky business with lots of different paths, none of them necessarily better than any other. Do your homework. Learn the pros and cons of all your options. Decide what’s best for you and then go for it! There’s a place for your story in the world.



In Rump, we see an underlying theme regarding the name we’ve been given and how it can define us. If you could have picked your own name, what would it be?

I actually really like my name (though I didn’t always) but if I could have any other name, I think I’d choose Red. It’s short, simple, and bold and I wouldn’t have to spell it for anyone. (Oh, the luxury!)


What is something you have that is of sentimental value?

Wow, this almost stumped me. I am not very sentimental and I’m the opposite of a hoarder. I throw stuff out that I should probably keep, but I do have a set of china and a full tea set that belonged to my great-grandmother. My mother used it on special occasions and I only use it on Thanksgiving and Christmas. If a single dish broke, I’d be very upset.



Finish the sentence. On Saturdays, I like to…

…run along Lake Michigan, then jump in it.


What is your motto in life?

Take what you need. Give more than you take.


Love that motto! A BIG thank you to Liesl for taking the time to do this interview!

Monday, July 21, 2014

Author Interview—Juliana Haygert

We are excited to have New Adult author, Juliana Haygert, with us today. A big thank you to Juliana for being willing to do this interview! Here is a little more about Juliana and her books...


 
About the Author:
While Juliana Haygert dreams of being Wonder Woman, Buffy, or a blood elf shadow priest, she settles for the less exciting—but equally gratifying—life of a wife, mother, and author. Thousands of miles away from her former home in Brazil, she now resides in Connecticut and spends her days writing about kick-ass heroines and the heroes who drive them crazy.





BREAKING FENCES:
All Beatriz “Bia” Fernandes wants is to prove herself—to her family and friends—though it’s hard to prove anything with an overbearing father and three famous polo-playing older brothers. After her acceptance into college results in a heated family argument, the Brazilian girl leaves everything behind to find her own American dream.
College life away from home is perfect until the people she believes to be her friends turn on her. With lies and rumors threatening to suffocate her, Bia turns to her only freedom. Riding. But one thing gets in the way of her escape. Garrett Blackwell and his bad cowboy attitude. Working at the ranch is his obligation, bugging Bia is his newfound hobby. His thick skin and easy grin don’t hide what Bia already knows—this misunderstood and lonely cowboy fights his own demons. Brushing horses’ coats and mucking out stalls shouldn’t be this sexy, and it isn’t long before he becomes a part of her distraction.
However, escaping won’t solve her problems, and it’s up to Bia to break down the fences around her and prove her strength—not to her family and friends, but to herself … and for Garrett. Because standing on her own doesn’t have to mean standing alone.
** Companion novel of Breaking the Reins. Can be read out of order.**
 *****


You are the author of several New Adult novels. How do you receive inspiration for your novels?
From everywhere. My problem is actually having too many ideas and not having time to write them all! Music and movies are big sources of ideas.
But it really comes from anywhere. For example:
For my fantasy trilogy, the idea came from a sentence my husband said, about gods not being immortals.
For The Breaking Series, was several things—mainly Britney Spears’ music video for her song Radar, and Facundo Pieres (a famous polo player) and his family.
For Playing Pretend, the idea came from having my heroine meet the love of her life during spring break.


Plotter or pantser?
Once upon a time, I used to be a 100% pantser, but I simply can’t start without knowing where I’m headed anymore. So now I’m 70% plotter, 30% pantser.


What books or authors have most influenced your writing?
I’m not really sure. When I was around ten years old, I read Danielle Steel and Nora Robert, thanks to my mother. Since I started writing when I was thirteen, I guess they influenced me in the beginning.
As for nowadays, I really, really like Richelle Mead’s and Jennifer L. Armentrout’s style and like to think I could, someday, write like them.


What are you currently working on?
I finished a secret project a few weeks ago, and now I’m writing Captured Love (https://www.goodreads.com/book/show/22664642-captured-love). It should be out by the end of October, beginning of November.


List five adjectives to describe yourself.
Happy, friendly, caring, irritated, impatient.


Finish the sentence. Someday I want to visit Egypt.


If you could have any superpower, what would it be?
Hard question. I never know which power to choose. Maybe telepathy? That would be neat, I guess.


What is the most unique place you’ve ever visited?

I can’t think of any unique place, but I can think of a unique experience in a great place.
When I was 12 and 13 years old, I spent my summers in Rio de Janeiro, with friends my age (no adults), taking dance classes from 8am to 8pm, 6 days a week, with the Municipal Ballet (the best dance company in Brazil). It sounds tiring, and it certainly was, but I loved dance so much (still do), it was perfect.


Thank you, Juliana! It was so fun to learn more about you! :)

Friday, July 18, 2014

Writing Prompt #5

Same rules. Read the prompt and write up to 400 words to share with us in the comments.

Prompt #5

A movie hero steps out of your television and proclaims that you are his/her arch-nemesis. Write about what happens.

From: http://www.writersdigest.com/prompts/page/4

Thursday, July 17, 2014

Writing Prompt #4

Same rules for today. Read the prompt and write up to 400 words to share with us in the comments.

Prompt #4 

Your computer won’t shut down when you are getting ready to leave work at five. Instead, it is looping a message, and then attempts to tell you something. What is your computer doing? Write this scene.

From: http://www.writersdigest.com/prompts

Wednesday, July 16, 2014

Writing Prompt #3

Same rules for today. Read the prompt and write up to 400 words to share with us in the comments.

Prompt #3 

You’re a pirate on a small pirate ship, that consists of only you, one other pirate and a captain. Recently you ransacked another ship and found a treasure map. After weeks of following it, you’ve finally found the island where “X” marks the spot. Write a scene where you find the buried treasure, only it’s not exactly the treasure you expected to find.

From: http://www.writersdigest.com/prompts

Tuesday, July 15, 2014

Writing Prompt #2

Same rules for today. Read the prompt and write up to 400 words to share with us in the comments.

Prompt #2

You wake up in—wait this isn’t your room. Confused you step to the mirror and see that you’re famous actor Robert Downey Jr. How did you get here and what do you do?

From: http://www.writersdigest.com/prompts

Monday, July 14, 2014

Welcome to Writing Prompts Week!

How's your summer going? It seems like writers fall into one of three categories in the summer--

  • those of us who need an idea, any idea to get us started
  • those who have an idea and get more writing done in the summer than the rest of the year
  • those of us who desperately await the return of the first day of school to write anything at all
(There are other categories, but humor me)


I fall into that last category. However, I also need to keep writing and finishing something during the summer or it's hard to get started again in the fall. So...

This weeks prompts will help those who need ideas, and those who just need to keep writing during the summer.

Read the prompt and write up to 400 words to share with us in the comments.

Prompt #1

You’re outside cutting your grass when you come across a large hole in the ground. You’ve never noticed the hole before, but it looks to be some sort of tunnel to another world. You decide to peek through and see where it leads, only it leads you to a pivotal moment in your past—and it’s giving you an opportunity to change it. Write this scene.

From http://www.writersdigest.com/prompts

Friday, July 11, 2014

Non-Traditional Tips for Surviving Camp NaNo: Breaks

For my final tip for this week, I thought I'd go a bit more counter intuitive on you.  

Take a Break

When I say break, I mean take a day off. Surely you didn't think my mini-goals to get ahead of par was because I want to be an over-achiever, did you? 

No no. I'm a firm believer in rest. No, I'm not lazy. But some days, you just need to slow down. Or stop writing entirely. Maybe it's because your brain feels like mush. Or maybe you have a family member who needs your attention. 

Either way, it's better to not write for a day, than to try and cram everything in at once. The way I see it, cramming just sucks. Yes, you write, but odds are you're not going to enjoy it. And let's face it. What's the point to writing if we don't like it any more? Also, writing without actually enjoying it tires you out. Emotionally and mentally. Which means that although you might manage to force yourself to write today, it might mean that you end up not writing for a week. Or if you manage to keep forcing yourself to write until you win, you might not write again for months. 

No one wants that. 

So if you're feeling a funny burning sensation in your brain (Really. That's how it feels to me in any case.), or life just gets in the way, set a reduced mini-goal or don't write. Preferably, you'll have a buffer of extra words built up. Otherwise, you just need to split the difference in between your remaining days and work it in later. 

That's actually why I didn't post yesterday. I had every intention to do so, but got knocked over by a migraine. Still feeling a bit achy, so I'm going to reduce what I want to do for today as well. Lucky me, I was two days ahead. But there's simply no way I'm going to melt my brain by writing through a migraine. 

Furthermore, I have a strict six day policy in my writing. In other words, I only write for six days a week. I always take the seventh off unless I can't resist writing. It sounds strange, I know, especially in a world where people keep shouting that we should be writing every day. But in the end, I know I'm more productive after resting than if I slog through writing day after day until I burn out. 

Anyone else doing Camp NaNo? When was the last time you took a break? 

Wednesday, July 9, 2014

Non-Traditional Tips for Surviving Camp NaNo: Mini-Goals

I thought I'd write about this other nifty trick to surviving Camp NaNo because I'm actually a bit pressed for time. Because of this nifty trick. 

Today's tip: 

Set small, easily achievable mini-goals. 

I don't know about you, but I used to find a 50k words in a month goal to be a daunting prospect. Especially when I'm writing by hand. See... when I write by hand, my writing speed is pretty much halved. However, the benefits to writing by hand much outweighs the disadvantages, so I've had to learn to adapt. 

One way I've adapted was to break my big goal into little goals. Usually I work something like this: Each day, I aim a bit higher than the daily average. I do it in such a way that by the time I day six, I can take day seven off. 

(And I do take at least one day a week off from writing. Even in NaNo.) 

But I don't stop there. I try to write in such a way that there's always a widening surplus of words between the goal and my writing. Because a few hundred extra words don't take all that much out of me. On the other hand I know that towards the end of the month I might get tired. So it's good to have a buffer. 

The reason is actually the same as why I set mini goals. It's actually easier to say: "Hey, today I only need to write a thousand words and tomorrow I can take the day off." Than I have to write "30k more words to win." 

Yep. It's all psychological. 

This month, I have to write 2420 words every day to stay on par. Which means I'm trying to write 3k every day so I can take one day off per week without falling behind. 

Now 3k per day might sound daunting in itself, but I've easily been able to beat it on most days. My average for the days on which I write is 3223 words per day at the moment, and I'm not done writing for the day yet. (Hence my comment from earlier.) 

How I do it: 

1) Because I'm working on seven projects, I work out how many words I have to write per book to get to my goal. This is 429 words per project. Which equates to about four handwritten A5 pages. So I aim to write five. 

Again, this is a psychological trick. "Only five pages" is easier than saying "I have to add 3000 words to my writing." 

In truth, I almost never write less than 500 words into any of my projects at any given time. And furthermore, I don't ever write in all of my projects on a single day. 

The trick is that I say: "I'm going to start writing and for now, I only need to write 500 words." My mind takes over from there and I write until the scene is done. Obviously, the more I write, the easier it becomes for me to start on the next story.

Because the amount I'll need to write in any subsequent session decreases as I write. Which makes it so much easier for me to write without really worrying about whether I could possibly reach my goal. 

2) Word sprints. You'd think that with my slow speeds I wouldn't sprint on Twitter. You'd be wrong. I do it almost as often as the sprints are happening (assuming I'm awake. Damn you time zones!). Again, it's purely psychological for me. 

Don't tell me you find the idea of writing for ten minutes daunting. Especially not when you take a five minute break afterwards. But twelve ten minute sessions add up to two hours of writing. (Math. I know.) The thing is, you're probably going to find yourself writing easier because you can keep your inner critic at bay for short stretches of time. And writing easier means writing more. 

So even if you do have say three hours available, try 10, 15, 20 and 30 minute sprints followed by short breaks to recover. 

This method also means you won't be as likely to burn out in the long term.

If you're on twitter, you can follow @NaNoWordSprints or check out #NaNoWordSprints if the account isn't active.

And that, my lovelies, is my tip for today. Trick yourself into thinking each writing session you do is a cinch, and it will be. 

Anyone else doing Camp NaNo? How are you doing?